The career of Eindhoven-based artist and musician Dick Verdult spans decades. He is seen as an outsider, as 'the last Dada-ist'. But what we experience as elusiveness turns out to be quite controlled and firstly funded on very personal experiences from his childhood as a 'Philips child' in Latin America. Rather than experiencing globalism as a problem, Verdult is like a cheerful, transcultural mutant. We see how, at the age of 60, he has become a cult musician in South America, Russia and Japan and is increasingly recognised internationally as a visual artist. This documentary explores Verdult's multidisciplinary, international art practice. We see Verdult at work in his studios in Bergeijk (The Netherlands) and Calanda (Spain) and on tour in Peru, Colombia and Argentina.

"Chipadelia", "The poor man's Pink Floyd", "psychedelic space chamamé"... Dazzle Lights demands a certain amount of creativity from Dick el Demasiado, Alan Courtis and other music journalists as they seek to describe the indescribable Síquicos Litoraleños. Alejandro Gallo Bermúdez never tries to profile the members of the band from Curuzú Cuatiá; the director appears to respect the privacy of a group that keeps its distance with different outfits and an ongoing quest to alter perceptions. The documentary shifts between the cultural shockwaves made by the group from Corrientes at home and at European festivals and the unintended creation of a rural psychedelic scene at the North-East of Argentina, as well as an unexpected clash with the Curuzú Cuatiá native Cristian Osorio, found of the now defunct group Saltimbankis.