Created by Ted Willis. Dixon of Dock Green was a BBC television series following the activities of police officers at a fictional Metropolitan Police station in the East End of London from 1955 to 1976. Some episodes were later remade as a BBC radio series in 2005 and 2006.

Simon Randall and Liz Skinner discover the existence of a strange anomaly, known as the “Time Barrier”, that enables them to travel in time to different historical periods in alternate pasts and futures.

No Hiding Place is a British television series that was produced at Wembley Studios by Associated-Rediffusion for the ITV network between 16 September 1959 and 22 June 1967. It was the sequel to the series Murder Bag and Crime Sheet, all starring Raymond Francis as Detective Superintendent, later Detective Chief Superintendent Tom Lockhart.

Contrabandits is a 1967 Australian TV series about the work of the customs department.

A British television anthology of stories, often with sinister and wryly comedic undertones, and a twist at the end. With early episodes written and presented by Roald Dahl, the series featured a plethora of big name guest stars.

The Avengers is a British television series created in the 1960s. It initially focused on Dr. David Keel and his assistant John Steed. Hendry left after the first series and Steed became the main character, partnered with a succession of assistants. His most famous assistants were intelligent, stylish and assertive women: Cathy Gale, Emma Peel and Tara King. Later episodes increasingly incorporated elements of science fiction and fantasy, parody and British eccentricity.

Hallmark Hall of Fame is an anthology program on American television, sponsored by Hallmark Cards, a Kansas City based greeting card company. The longest-running primetime series in the history of television, it has a historically long run, beginning during 1951 and continuing into 2013. From 1954 onward, all of its productions have been shown in color, although color television video productions were extremely rare in 1954. Many television movies have been shown on the program since its debut, though the program began with live telecasts of dramas and then changed to videotaped productions before finally changing to filmed ones. The series has received eighty Emmy Awards, twenty-four Christopher Awards, eleven Peabody Awards, nine Golden Globes, and four Humanitas Prizes. Once a common practice in American television, it is the last remaining television program such that the title includes the name of the sponsor. Unlike other long-running TV series still on the air, it differs in that it broadcasts only occasionally and not on a weekly broadcast programming schedule.

A Roman general leads the epic 1st-century siege of Masada, the mountain fortress where more than 900 Jews made a heroic stand against 5,000 Roman soldiers.

Sir Bernard's Stately Homes was a series of British TV comedy series first shown in 1998 on BBC Two and later re-run on Play UK. Only six 10 minute programmes were produced, all written by and starring Matt Lucas and David Walliams. It bore many similarities to the more well-known Rock Profile. The series was directed by Edgar Wright, one of the creative minds behind Asylum, Spaced, Shaun of the Dead, and Hot Fuzz, and produced by Myfanwy Moore, who would become the producer of Little Britain. The central character was Bernard Chumley, played by Matt Lucas, who was already a regular stand-up character of Lucas's and would go on to be a fixture of Little Britain. The show was transmitted from 12 May to 16 June 1998, on BBC2, Wednesdays at 10.20 p.m. In each edition, Sir Bernard and murderer/friend Anthony Rogers would investigate a number of country estates while searching for the Golden Potato, an advertising stunt which would win them a year's supply of Allen's Crisps. ⁕Episode 1 – Baxter Grange, home of Lord Horatio Nelson ⁕Episode 2 – Browning Abbey, home of the archbishop of Mexford ⁕Episode 3 – Yates Castle, former home of the Chumleys ⁕Episode 4 – Bronson House, country retreat of Princess Anne

Drama series about the private lives of seven British prime ministers who lived in Number 10 Downing Street between the 1780s and the 1920s: William Pitt the Younger, the Duke of Wellington (Arthur Wellesley), Benjamin Disraeli, William Ewart Gladstone, David Lloyd-George, Herbert Henry Asquith and James Ramsay MacDonald.

Undermind is a science fiction television drama produced by ABC Weekend Television in 1965. It ran for eleven episodes of sixty minutes each. It starred Rosemary Nicols, Jeremy Wilkin and Denis Quilley. The series was devised by Shoestring and Bergerac creator Robert Banks Stewart, who also went on to write for Doctor Who. Several other writers known for their work on Who also contributed scripts: David Whitaker, Bill Strutton and Robert Holmes.

Dennis and Gnasher is an animated British TV series based on characters from The Beano comic, It features the daily adventures of the rebellious schoolboy Dennis the Menace and his dog Gnasher.

Sherlock Holmes uses his abilities to take on cases by private clients and those that the Scotland Yard are unable to solve, along with his friend Dr. Watson.

A 12 hours miniseries adapted from Anthony Burgess's novel The Kingdom of the Wicked.

By Wolfgang Amadeus Mozart. With libretto by Lorenzo da Ponte in a new translation by Tony Britten and Nicholas Broadhurst. Transmitted in three parts, this is the story of a sex-mad Eurocrat who's trying to sleep with his servant, his frustrated aristocratic wife and her toy-boy, and a love-child who's forced into marriage with his own mother, not to mention cross-dressing, blackmail and a death-defying leap from a second-floor window.

The Man in Room 17 is a British television series which ran for two seasons in the mid-1960s, produced by the Northern ITV franchise, Granada Television. Key to the series' success was the involvement of writer/producer Robin Chapman. The show was set in Room 17 of the Department of Social Research, where former wartime agent-turned-criminologist Edwin Oldenshaw solved difficult police cases through theory and discussions with his assistants. The novelty of the series was that Oldenshaw and his colleagues never needed to leave their office in order to resolve cases, preferring to spend their time playing the Japanese board game of Go. They simply provided their prognosis and left the police to do the cleaning up. Different directors were often appointed to film the Room 17 and outside-world scenes independently, to maintain a sense of distance between the two worlds.