Nikos is a master of funeral ceremonies (that's undertaker to you and me) who doesn't expect much from life. After drunkenly insulting a diplomat at a party, weird things begin to happen for Nikos. The news that a mysterious stranger offended the hated Deputy Prime Minister galvanizes the political elite assembled at the banquet, and a rumor that Nikos can take care of anything spreads like wildfire, making him an idol of the masses.

Accomplished playwright supervises the stage rehearsals for his new play away from home. He rents a room at a private house, which is owned by mother and daughter. Wiktor gets entangled in the two women's bizarre relationship.

The main character is a bookkeeper, 40, who lives a quiet, uninteresting life with her husband and son of school age. She realizes that soon she won't be needed much at home as the boy grows up and the relationship with her husband crumbles. It's only when an embezzlement is discovered at the office and she stands up to her management, that she realizes life has more to offer. She meets a well-off former classmate, married to an American. Then she meets Jacek and starts contemplating possibilities of a new start. She discovers love for the first time, but turns to old ways rather than to break loose.

Two young boys living in a small town in the east of Poland try to survive the war by working as projectionists in a local cinema. They provide entertainment to Poles, Germans and Russians alike.

Told as a film within the film, the story concerns an aging actress. Ewa is a flamboyant, pushy actress whose career and love life have come to a dead end. She lives in a faceless housing development. She is totally engrossed in herself and dreams of making a comeback as a singer. But her overbearing personality time after time sets her into conflict with those she tries to work with in the theater and her bedroom.

In 1930s, a doctor has an affair with the wife of a wealthy industrialist in Poland.