By way of unearthed material, commentary from Andrés Calamaro’s friends and former bandmates, and an in-depth interview with Calamaro himself, this special explores the multi-instrumentalist, Latin Grammy award-winning artist’s career.

Blood is a family portrait. A mother, her two children and the shadow of her husband who died 25 years ago under strange circumstances.

A divorced taxi driver shows up with a black eye at the home of his ex-wife’s new family; he’s been invited to dinner and he desperately wants to reconnect with his young daughter. A professional magician’s car breaks down and he ends up spending an emotionally intense night with a young, widowed toll booth worker. A singer songwriter serving a lengthy prison sentence is released for one night to perform at a local community centre. These three deeply engaging stories about yearning for connection unfold in parallel, one New Year’s Eve in a small town in central Uruguay, balancing the universality of human suffering with a powerful sense of hope.

Justina, a young graphologist, finds out that Patricio, her eternal summer love, is getting married in Patagonia, the place where she vacations since she was a child. He decides to travel and arrives in whale season. He is staying at his aunt Amalia's, owner of a restaurant specializing in seafood. Everyone speculates that he comes to interrupt the wedding. She sees her old love again, but the town and its fauna will lead her to an unexpected reunion. The sea and the whales assemble a new universe of identity.

The story takes place in a parallel world during a tour of the musician Daniel Melingo in Europe. What looks like real not always is. With elements of surrealism, the 1930s and the 21st century, the plot accompanies him always focused on the intermediate times, when he downs the stage, away from the show.

Two young urchins turn the streets of Buenos Aires into their own magical playground, in this vibrant portrait of young love.

The life and death of the tropical singer Gilda.

Malena is an attractive woman, psychoanalyst of profession and tango dancer by devotion. One night she kills accidentally a man and decides to hide her crime. Days after, she sees in the news the man’s wife and little daughter: he was a policeman. In her plan, Malena meets Carlos, work companion of the dead policeman who is investigating his disappearance. He is of Vasc origin and they call him “the Sabina,” because sometimes he answers using phrases of the songs of the artist. A strange fascination captures Malena with “the Sabina,” the man who has to discover the crime she committed and take her to prison. Since the beginning, the relationship between them is passionate and transgressor, without moral limits.

A mirror game between reality and fiction about the creative blocking of a troubled artist. Ricardo Mosner exists, but his character transcends the documentary world. We also see musician Daniel Melingo, the film’s director and co-star, transformed into a ghostly vagabond in the city. The camera captures these specters’ roaming like images of a digital canvas. There is wine, loneliness, parties and sunrises of bourgeois bohemians. The film encrypts its indomitable value in exposing how you can paint an audiovisual picture under the influence of this century’s events and variations. In the end, the film is an act of combining brushes and colors with precision in order to depict a happy reunion in exile.