With humor, prolific director Víctor Matellano tells the story of one of the most iconic and problematic cult films of Spain's "fantaterror": Los resucitados by Arturo de Bobadilla. A story of ambition, frustration and the everlasting will of the most passionate cinephiles.

The story is set during the early 1980s in a small town in rural Spain. El Chiqui is a talented young man about to debut in the local bullring, expected to continue the legacy of his family name. But that is not what he truly wants. His secret relationship with a young man from the town, Nicolás, offers an escape from the village, leaving the family pressures behind.

8:19' is a smart gallery of characters living, unknowingly, their last 8 minutes and 19 seconds in absolutely rutinary situations, letting time go by, delaying decisions, postponing meetings and pleasures. Characters who think there is a future to be reached. Like everyone.

Nacho, a young man in his mid-thirties, is losing control of his life. In order to finance his various addictions, he has accumulated large debts with dangerous moneylenders. Fearing he no longer has control over himself, he flees to the city, leaving everything behind. There, he meets a woman who is older than him and falls in love with her. Lucia is very supportive of his development into a better and more adult Nacho. As Nacho’s mother is lying on her deathbed, he is forced to return home and face everything he had left behind.

The life of Jorge, 12, eldest son of a modest Spanish family of the 90s, turns upside down when the emotional turmoil caused by his sexual awakening is mixed with an accusation against his father, an art teacher, of an alleged sexual harassment of a 16-year-old girl, which disintegrates his family nucleus. His attempts to try to understand and overcome events lead Jorge to a new vision of his father, his family and his own nature.

Fernando (Fernando Tejero) is a loser. A gray type, without ambition, that works like bookcases distributor in a supermarket of the quarter. In his free short whiles, he is a substitute keeper of a football team, a third regional one. In all the season he has not played a single minute. But the last Sunday of the league the referee indicates penalty and the regular keeper injures itself. Fernando must occupy the goal for the first time. If penalty scores, the team of the district will proclaim champion. If no, all the effort of a year will not have been worth for anything. When the penalty is just about to be kicked, a group of indignant fans with the referee invades the field and prevents the kick. The competition committee decides that the penalty must play the following Sunday, in the same goal, with same players and the field closed to the public. El Penalti más largo del mundo, (The Longest Penalty Shot in the World) is exactly the history of that week of delay.

A photographer and a journalist who despise each other must pretend that they are a couple when they are sent to cover the story of a guru, and encounter a number of off-the-wall situations en route through Galicia.

Candela, the headmistress of an elite school, after a traumatic divorce, returns to her old high school to lead a group of rebellious students through chess. There she will learn that in chess, and in life, it doesn't matter if you are a king or a pawn, because everyone ends up in the same box.

What should you do if you are young, handsome but your life is terribly boring? Of course to die! Who can help you? Of course, two your best friends. But what if assisted suicide becomes an original way to earn? When a business plan comes to mind to the three adventurers they are no longer up to the death!

Lola picks her sister up for a wedding. Rocío is not in the mood because her ex girlfriend broke up with her in a very strange way. However nothing will ruin her sister’s day. Lola is able to sing a ranchera song even though the atmosphere is not good after the breakup.

Julia is saying goodbye to the last visitors who have come to the house after the sudden death of her husband. When it seems that finally has a moment of intimacy, Susan knocks on the door. Despite Julia's refusal to let her pass, Susana rebukes her, arguing that she has the right to say goodbye to her husband.

The lionesses force their young to leave the herd at the age of two. Only the strongest manage to become adults.

Four people traveling in a van run over a lone woman while she is walking in the dark down a country road. After loading her into the vehicle to take her to the nearest hospital, they notice that she is behaving rather strangely. The occupants of the van soon realise that the time has come to fight for their lives, and together they agree on one very simple rule: "do not sit next to her."