Told from the points of view of both the Baltimore homicide and narcotics detectives and their targets, the series captures a universe in which the national war on drugs has become a permanent, self-sustaining bureaucracy, and distinctions between good and evil are routinely obliterated.

The Corner presents the world of Fayette Street using real names and real events. The miniseries tells the true story of men, women and children living amid the open-air drug markets of West Baltimore. It chronicles a year in the lives of 15-year-old DeAndre McCullough, his mother Fran Boyd, and his father Gary McCullough, as well as other addicts and low-level drug dealers caught up in the twin-engine economy of heroin and cocaine.

A drama about a multi-generational family of cops dedicated to New York City law enforcement. Frank Reagan is the New York Police Commissioner and heads both the police force and the Reagan brood. He runs his department as diplomatically as he runs his family, even when dealing with the politics that plagued his unapologetically bold father, Henry, during his stint as Chief.

How Soon Is Now? is a 2007 Swedish drama television serial directed by Mikael Marcimain. The narrative portrays four people who grow up Gothenburg between 1966 and 1976. The serial was produced for Sveriges Television, from a screenplay by Peter Birro.

ER explores the inner workings of an urban teaching hospital and the critical issues faced by the dedicated physicians and staff of its overburdened emergency room.

A crime she committed in her youthful past sends Piper Chapman to a women's prison, where she trades her comfortable New York life for one of unexpected camaraderie and conflict in an eccentric group of fellow inmates.

Former Syracuse, New York, police detective Carrie Wells has hyperthymesia, a rare medical condition that gives her the ability to visually remember everything. She reluctantly joins the New York City Police Department's Queens homicide unit after her former boyfriend and partner asks for help with solving a case. The move allows her to try to find out the one thing she has been unable to remember, which is what happened the day her sister was murdered.

Told from the points of view of both the Baltimore homicide and narcotics detectives and their targets, the series captures a universe in which the national war on drugs has become a permanent, self-sustaining bureaucracy, and distinctions between good and evil are routinely obliterated.