Sir Colin Davis conducts the London Symphony Orchestra and Chorus in this rendition of George Frideric Handel's Messiah. Handel’s Messiah was composed in 1742 with a scriptural text compiled by Charles Jennens. It tells the story of the life of Jesus Christ in three sections, from his birth to his death and eventual resurrection. Messiah has become one of the most recognized, appreciated and exhibited choral works during the Easter period.

The composer of Land of Hope and Glory is often regarded as the quintessential English gentleman. But Elgar's image of hearty nobility was deliberately contrived. In this revelatory portrait of a musical genius, John Bridcut explores the secret conflicts in Elgar's nature which produced some of Britain's greatest music. Featuring specially filmed performances by the BBC Symphony Orchestra.

These recordings, made during Sir Colin Davis’ ‘Indian summer’ with the orchestra, are acknowledged to be amongst the finest recordings ever made of this repertoire, receiving numerous awards. The symphonies were originally released between 2011 and 2013 and will now be made available together for the first time as a beautifully packaged 3 SACD box set, including one Pure Audio Blu-ray disc. Despite giving titles to the majority of his symphonies, Danish composer Carl Nielsen was often vague about what influenced each work. Nevertheless he was a master symphonist and his music is mesmerising, combining propulsive energy with lyrical invention. LSO0789 | 822231178927 3SACD + 1 Blu-ray audio / digital Total playing time 3h 21m Producer: James Mallinson Engineering: Classic Sound Ltd DSD recording, live at the Barbican in October 2011 (Symphony No 1), December 2011 (Symphony Nos 2 & 3), May 2010 (Symphony No 4), October 2009 (Symphony No 5), May & June 2011 (Symphony No 6).

This recording commemorates the 50th anniversary of Joaquín Achúcarro's debut with the London Symphony Orchestra after winning the Royal Liverpool Philharmonic International Competition in 1959. Recorded at Jerwood Hall, St Luke's, London, with Britain's eminent conductor Colin Davis at the helm, Achúcarro delivers a consummate performance that brilliantly expresses his delicate and passionate style. Extra features include a substantial documentary about Achúcarro s career and performances of solo piano pieces by Brahms, Chopin, Scriabin and Albéniz filmed in the beautiful setting of the Prado museum

Live performance of Mozart's immortal Requiem in D minor from the Herkulessaal in Munich, 1984. Soprano Edith Mathis, alto Trudeliese Schmidt, tenor Peter Schreier, and bass Gwynne Howell, with the The Bavarian Radio Symphony and Orchestra, are conducted by Sir Colin Davis.

In 2012, just a year before his passing, Sir Colin Davis—president of the London Symphony Orchestra at the time and with over five decades of appearances with the prestigious ensemble—gets an affectionate look in this final video appearance, a documentary by Reiner E. Moritz. Alternating scenes from rehearsals, concerts, operas, master classes, and interviews, this portrait offers an invaluable insight into his charming and energetic personality both on and off the podium. It is clear throughout that the musical legend was also a great man, one who will long be remembered for his tireless commitment to music, both in England and abroad.

A rich man invites to a banquet at which - at his wish - a new opera, Ariadne auf Naxos, is to be performed simultaneously with the improvised play The Faithless Zerbinetta and Her Four Lovers.

TANNHÄUSER UND DER SÄNGERKRIEG AUF WARTBURG is a grand opera by Richard Wagner in three acts. After experiencing boundless sensuality and freedom with the fun-loving Venus (soprano), the singer Tannhäuser (Tenor) finds it impossible to conform to the cultured setting of his betrothed Elizabeth (soprano), who loves him. During a singing contest, Tannhäuser describes the affair with Venus as the ultimate love experience and because of that, he is cast out from the established society. Thanks to Elizabeth's intervention, he is allowed to undertake a pilgrimage to the Pope to ask for the Holy Father's pardon. If the Pope accepts to forgive him, he would be allowed to take back his place in society. Tannhäuser accepts. But fate will not allow him to meet with his beloved Elizabeth again in this life. This is a recording of the legendary staging by Götz Friedrich for the 1978 Bayreuth Festival conducted by Sir Colin Davis.

Sir Colin Davis tackles a work whose uncompromising nature makes it as great a challenge as anything in the choral repertoire, whether you regard it as a statement of the composer's belief in the spiritual potential of man or his faith in a supreme being. 'A musician must make affirmations,' says Davis. 'If a musician cannot believe in music as a universal ideal, what is he left with? We may be encircled by gloom but music gives us a chance to throw what Meredith calls "that faint thin line upon the shore". ... Beethoven is a man at war with himself but a man who is determined to win.'