Andréa, a poor telemarketing salesgirl, dreams of being a singer. Her rich boyfriend Fred hires a musical producer, Marcelo, to turn her into a star. But she and Marcelo end up falling in love.

Told by gauchos from Brazil, Argentina and Uruguai, the legend says that Anahy de las Missiones wandered around the Plata Basin during the time of Cisplatina War (1825-1828), stealing the dead.

An apparently simple adultery case turns into an intricate and suspense-filled plot composed of numerous twists and turns, with a surprising ending. Dr. Rafidjian, a renowned physician, seeks out Dora Lobo's detective agency, wishing to locate call girl Ana Cíntia Lopes. The case soon finds its way into the hands of Remo Bellini and his new assistant Beatriz; but the client's brutal murder changes the course of the investigation, leading the two detectives into high-risk situations. Trying to solve the crime, they canvas the nightlife of São Paulo's underworld, where they meet Fátima, a mysterious prostitute who becomes involved with Bellini. Based on the book of the same title by the writer and musician Tony Bellotto, who is also the film's co-producer and co-composer of the soundtrack, along with Charles Gavin, fellow member of the rock band Titãs, and Andreas Kiesser, of Sepultura.

Riding High is a psychological thriller about a crime that has become common in today’s Rio de Janeiro. The film takes us into the most dramatic day in the life of Julia, a housewife who is kidnapped in her armored car by Case and Sapeca, two young men from Rio’s slums. What seems at first sight to be a conflict between rich and poor turns into a much more complex plot linking the characters’ past and present.

Maria Auxiliadora is a 24 year-old woman very poor, that she lives Joana, her 7 year-old daughter close to. Needing go look for the result of Joana's exam in the hospital, Maria asks the priest of the local church that takes care of her to return. In spite of Joana's insistence to go with the mother Maria insists that she is with the priest, because she distrusts that her daughter suffers of a serious disease. To entertain the girl while it awaits the mother's return, the priest decides to tell her a mother's history that dedicated her life to the son: Mary, mother of Jesus Christ.

"No one loves anyone for more than two years" is an adaptation of Nelson Rodrigues' work about five couples that live in Brazil in the early 60's, who are seen by the society as conventional people, but whose intimate lives turn out to be morally questionable.

Two teenagers from opposite sides of town, with very little in common except for their passion for music meet in 1970's Rio de Janeiro, at the height of the military dictatorship _ and of Brazil's booming underground rock scene.

Rio de Janeiro, Brazil, 1950. In the conservative home of the Gusmão family, Eurídice and Guida are two inseparable sisters who support each other. While Guida can share with her younger sister the details of her romantic adventures, Eurídice finds in her older sister the encouragement she needs to pursue her dream of becoming a professional pianist.

In a dystopian future, the Brazilian government decrees a measure that forces black citizens to migrate to Africa in an attempt to return to their origins. Seeing themselves in the center of terror, two cousins take refuge in an apartment, where they debate social and racial issues, and share the same yearning for the change of country.

The aspiring actress Marivalda, her husband Wanderley, a bankrupt insurance broker and a false priest do their best to get along in life. But they end up in the hands of a drug boss, whose daughter they promised to save the life of, hit in a shooting at a party in São Cristóvão. A huge cash reward is at stake and now all three have to chase the promised miracle.

Laurita, a retired woman from Copacabana, is forced to establish contact with a neighbor, Amanda. The meeting between the two awakens a whirlwind of feelings, memories and discoveries that will mark their lives forever.