By retracing the mixed heritage of First Nations peoples and Quebecers, painting a modern portrait, and sketching a human geography, this film helps us (re)discover the beauty and strength of our common territory: the Americas.

Deliberately Felliniesque, this surreal and uneven Canadian satire from iconoclastic French Canadian director Gilles Carle offers an episodic look into an anarchistic, metaphorical world filled with a bizarre assortment of weirdos, wackos and misanthropes. The story roughly centers on the adventures of Yo-Yo, a young woman who is first seen acting as a high priestess for a ceremony involving the miraculous healing powers of the little boy Alphonse.

In 1935, in a Quebec village, a boy observes with curiosity the little intrigues of the adult world.

A young pilot witnesses the unintentional murder of her two sons (by a rich, drunken couple driving carelessly) and, following a court's decision not to press criminal charges, she decides to get her revenge.

Gilles Carle, the prolific director of such movies as La vraie nature de Bernadette and Maria Chapdelaine, has been struggling against Parkinsons disease with dignity for about fifteen years. Based on Carles last script completed in 2000, entitled 'Mona MC Gill et son vieux père malade', Charles Binamés documentary, which took slightly over two years to film, gives us a friendly, penetrating look of a brave, lucid creator confronted with suffering and the perspective of death. Although the subject is grave, we see a stong will to live and to create. A movie shrouded in all the light and love of Chloé Ste-Marie, the famous directors companion of 25 years.