On a train to Algarve, a young man recounts to a fellow passenger his past relationship with an eccentric young woman.

A loner, narcissistic and suicidal teenager attracts most of the people he meets like a fatal aura, a black light. He falls deeply in love with Teresa but does she exist or is she a mere figment, an image, a reflection? Teresa is an apparition. A pretext for an amoral violent uprising, for doomed love.

Na fase final da vida de Salazar, o estadista recorda a sua vida, as suas opções, as decisões que tomou e as que podia ter tomado. Dar a conhecer o homem por detrás de quem governou Portugal durante 40 anos foi o grande desafio: Salazar, enquanto estadista, é conhecido do grande público. O mito do estadista estóico, convictamente religioso e assexuado tem o contraponto neste filme.

The tragic story of the many lives of Father Dinis, his dark origins and his pious works, and the different fates of all those who, trapped in a sinister web of love, hate and crime, cross paths with him through years of adventure and misfortune in the convulsed Europe of the late 18th and early 19th centuries.

A Moral Conjugal

A couple endures a series of mishaps right before their wedding day.

The tragedy and comedy in Carlos' life begins, grows and ends like the tragedy and comedy of Portugal. In the company of his close friend, João da Ega, allegedly a brilliant writer, Carlos, with his idle existence as an aristocratic doctor, spends his time to enjoying friends and lovers. Until he falls in love. She is a new character in this revolutionary novel. It's a vertiginous passion that goes beyond that past gloominess to reach a new and darker abyss, incest.

A documentary about the singings of a Portuguese Village that has their own dialect

There are two months to the end of High School Spanish classes in Lisbon and it's time to decide the destination for the end of year trip. That decision will cause a real "Civil War" between two irreconcilable groups: the "class nerd", who propose the typical cultural trip to Paris, and "freeloaders" who prefer to enjoy the week in Benidorm, the "New York's Costa Blanca ".

Adventurer, pilgrim, penitent but above all outstanding writer, Fernão Mendes Pinto left us an unparalleled romance, the living and human palpitation of one of the greatest historical adventures of man.

Lisbon, today. In a room of a house at Douradores Street, a man invents dreams and theorizes about them. The essence of the dreams itself becomes physical, palpable, visible. The text itself materializes in its musicality. And, in front of our eyes, this music can be felt with the ears, brain and heart. It spreads itself in the street where the man lives, in the city that he loves above all and over the entire world.

The story of the adventures, in the twilight of the eighteenth century, of a singular couple formed by a little orphan with mysterious origins and his young Italian nurse of a similarly uncertain birth. They lead us in their wake, from Rome to Paris, from Lisbon to London, from Parma to Venice. Always followed in the shadows, for obscure reasons, by a suspicious-looking Calabrian and a troubling cardinal, they make us explore the dark intrigues of the Vatican, the pangs of a fatal passion, a gruesome duel, banter at the court of Versailles and the convulsions of the French Revolution.

Alentejo, Portugal, 1950. In a desolate region, where the wind seems to speak, where misery and hunger reign over poorest, a desperate man takes his revenge on those who caused his ruin during the darkest night, unable to get honestly the bread needed to feed his family in the daylight.

Nora comes out of prison. She only has one thing in mind: finding a youg neo-punk artist she admires, Léa. Mirror of one another, these two soulmates will get to know each other and rebuild their lives together.

Departing from extracts written by Fernando Pessoa, the characters walk through the city of Lisbon, having the streets and houses where the Poet lived as the background.

Portraying the last days in the life of philosopher Walter Benjamin (1892–1940), whose writings such as The Work of Art in the Age of Mechanical Reproduction have become of seminal importance in cultural criticism, Ferraro not only deals with a historical and philosophically fascinating subject, but has also crafted a landscape film of immense beauty.

Francisca, a beautiful 50-year-old widow, prepared a peaceful future for herself. In an unexpected outburst, she grabs an opportunity for change and embarks on a sailboat called ‘Hovering Over the Water’.

When Camille's son was killed in a car accident, the devastating loss proved too much for emotionally fragile mother to bear. Now desperately clinging to any reminder of the son she held so close to her heart, Camille becomes increasingly fixated on Frank - the young man who was not only her child's best friend, but the one who was responsible for the tragic accident that took his life as well. At first, Frank is receptive to Camille's advances. It's not long, however, before the pair's scandalous relationship prompts many of Camille's friends to distance themselves from the increasingly unstable woman. Later, as Camille's obsession with Frank turns menacing, the relationship between grief-stricken mother and her guilt-ridden lover begins to take on ominous undertones.

Fernando Pessoa, one of the greatest writers in Portuguese, created an immense parallel world and several heteronyms so as to endure the loneliness of genius. José Saramago, 1998 Nobel Laureate in Literature, has a heteronym, Ricardo Reis, return to Portugal after a 16-year exile in Brazil. 1936 is a perilous year with Mussolini’s fascism, Hitler’s Nazism, Spain’s Civil War and Salazar’s New State in Portugal. And Fernando Pessoa meets his creation, Reis. Two women, Lídia and Marcenda, are Reis’ carnal and impossible passions. “Life and Death as one” allows for literature and cinema.

Obsessed with questions about his past, a bankrupt, white Brazilian filmmaker undertakes an epic journey from Brazil to Mozambique and Portugal. This melancholic fable mixes animation, live-action, voice-overs, genres, and continents to explore Brazil's colonial past.

Ana, a Portuguese actress, dives into Brazil's current atmosphere of identity and political crisis while trying to portray in a feature film the colourful life of famous singer and actress Carmen Miranda, who helped define Brazil's identity.

X, a film location scout, spend his time travelling from place to place looking for filming locations, at the same time that he's looking for funding for the film he wrote himself. In the middle of nowhere, as in the nowhere of his life, he stumbles on Y, the woman for whom he has been waiting all his life.

In the beautiful area of ​​Paris, Maria and José Ribeiro lived for almost thirty years on the ground floor of a Haussmann building, in their dear little lodge.

Film adaptation of "The letter from the hunchback to the locksmith" by Fernando Pessoa's heteronym Maria José.

Mr. Emmer is a jaded Film Director, Catarina the assistant of an absent Producer. Together they embark on a journey in search of Hölderlin's places, for a never forgotten project on the German poet. But during the journey their aspirations will prove to be an obstacle for the realisation of any work. A love song for a suffering Nature.

On April 25, 1974, a man walked alone in Largo do Carmo. He knocked on the GNR military barracks door and entered, unarmed and without any escorts. Inside, the Government’s chief, Marcelo Caetano, waited, surrounded by the military and the people. The man who stared at him that afternoon and demanded surrender, guaranteeing his safety, had just led Santarém’s Artillery 1 regiment in taking the capital. Without firing a single shot, he managed to overthrow a regime that was over 48 years old. That was the last step to take and he took it, without hesitation, becoming the unavoidable figure of the day that marked the beginning of democracy in Portugal

A walk for half a century, yes, a letter perhaps. Travels in my life, I could call it, which I like Garrett so much. A traveling as he would like, a loose story, memories, projects, meetings. Also because, since 1995, I have done several portraits of artists (Palolo, Bravo, Lapa, Skapinakis, Bartolomeu, Angelo, Sena, Ana Vieira and I prepare Sofia Areal and Fernando Lemos), I started to think that this is my life, these meetings , see, hear, cut, show, tease. I want, with this film continue to show what I see. [Jorge Silva Melo]