Secrets, rumors and betrayals surround the upcoming marriage between a young dissolute man and virtuous woman of the French aristocracy.

Four separate-but-interconnected stories - one for each season - about life in Sardinia.

Frustrated by the lack of intimacy in her relationship, a young schoolteacher goes through a series of intimidating and often violent sexual partners.

Antoine, a handsome boy in his 20s, falls for a straight best friend who does not reciprocate, and being a junkie exits the film quite early. Enter a girl, who seems to make him happy again, after he has tried living as a rent boy with men, having some familial, financial difficulties. But the girl is a junkie too.

What is beautiful about adolescence is that it is a time when everything is still possible. The four main characters are each conditioned by their background and environment, but they refuse to accept any predestination and to fight it. Expelled from schools, spurned by lovers, confined by identity these youngsters just keep on running, frustrated and in flames. Lonely hearts, intoxicated by music and alcohol, by the heat of minds and bodies, burn to ashes.

In Paris, where he wields his money scams, Alex has an unexpected encounter with two girls: Fred, who’s nothing to do with his world and who he falls for straight away, and Sylvia – sweet, but lonely, Sylvia. To test Alex, Fred devises a curious game of seduction. Like a character out of a Marivaux play, she toys with setting up delightful obstacles necessary to Love’s flourishing: Sylvia must seduce Alex, and Alex, must in turn, truly desire Sylvia. But Fred gets caught in her own trap. She falls head over heels in love with Alex. However, he no longer knows who to choose, all the more so now that Sylvia is falling in love with him, too. During an eventful night of confusion and intrigue, crazy laughter and tears, our threesome come to realize that what really draws them together is an emotional bond: true love.

Zurich, 1905. Nineteen-year-old Russian Sabina Spielrein is put by her parents in a psychiatric hospital, suffering from a severe form of hysteria and refusing to eat. A compassionate doctor, Carl Gustav Jung, takes her under his care and, for the first time, experiments with the psychoanalytical method of his teacher Sigmund Freud. Thus is born a sweeping story of love and passion, of body and soul, soaring to the utmost heights, but also plunging to the darkest depths of the 20th century.

A banker has died. He trafficked in nuclear material, so French intelligence assign two agents to find his list of contacts, which are on a flash drive: Muriel - the boss, acerbic, willing to sleep with any man, wondering if she should have a child - and Philippe, younger, boyish, meticulous, bothered by Muriel's frank sexual interest. They watch Constance, the banker's widow: a naïve, friendly, open, trusting. She's taking opera lessons, so the French spies join the class, which Muriel enjoys. It seems that other spies are after the same USB, and some of them sing as well. Singing, spying, and sex lead to duets of all kinds as well as to an eventual showdown.

Shimkent hôtel tells the story of a young man who's experienced the failure of a business venture in the Afghan mountains, and who suffers from shock in Kazakhstan.

In 14th-century France, Aliénor breaks with the codes governing girls’ behavior and does as she wishes. The King of France grants her the hand of her childhood love, but her new husband deserts her immediately after the ceremony. Undeterred, she sets out after him, traveling to Siena to bring him back.

Manit witnessed the murder of his parents when he was just 10 years old. The killers shot him in the head, but he miraculously survived. However, the damage to his brain left him unable to experience regular human emotions. A martial arts master saved him and took him in. Twenty years later, Manit has become a master of martial arts himself. He returns to the scene of the crime, seeking justice.

Marc, twelve-year-old young man, resumes consciousness in a field. He has his body bruised by multiple wounds. Back at home, plunged into a profound silence and into a state of stupefaction, he provokes strange reactions from his family. What happened to him?

Ziggy is a freedom loving Parisian often in debts and usually misunderstood by fellow citizens. Though there's a pretty unique karma he has it when seducing girls due to his carelessness. But on the contrary all the girls disappear after moments spending with him, realizing he's still waiting for "Coppola" to come back to Paris.

A man and a woman are brought together by chance for several months. He is younger than she is, married, Russian, officially a diplomat stationed in Paris. She is a beautiful teacher and researcher, with her feet firmly on the ground. The film follows the evolution of their love, from the beginning to end.

A long relationship comes to an end, which is the loneliness: Anna leaves the city, finds new friends and soon meets a man who brings her smile back.

Directed by Alain Raoust, The Cage follows 25-year-old Anne, who has spent the past seven years of her life in prison. The crime was killing a small boy who had inadvertently gotten in the line of fire during a service station hold-up gone wrong, and Anne has never been able to forgive herself. Since she was a minor when convicted, however, Anne is up for what she believes is an undeserved parole. Once out of prison, she cannot come to grips with her freedom, and sets off to find redemption with the father of the child she had accidentally murdered.

Nowadays, in Paris, a student who occasionally prostitutes, a freshman drug dealer, a trader who makes a ton of money... Money, pleasure and ambition are the cement of their relationship. In today’s world, they love and hurt each other.

Cédric Kahn's "Bonheur" is the eighth episode of the 9-part Arte series "Tous les garçons et les filles de leur âge", a series of medium-length (around 1h) made-for-tv movies about teenagers. An 85-minute version of "Bonheur" has been distributed as "Trop de bonheur" (a more satisfactory version, according to the director).

In this, his first film, director Bruno Bontzolakis has attempted to extend the playing time of a short-feature story without complete success. The focus is on 17-year-old Jessica who is struggling with reconciling the love she has for her father with the hatred she has for his right-wing politics. Instead of a shorter story dealing with this conflict alone, Bontzolakis has drawn attention away to peripheral subjects like the depressed mother of one of Jessica's friends, or the inveterate drinker at the local bar -- interesting, but distracting at the same time.