A Victorian surgeon rescues a heavily disfigured man being mistreated by his "owner" as a side-show freak. Behind his monstrous façade, there is revealed a person of great intelligence and sensitivity. Based on the true story of Joseph Merrick (called John Merrick in the film), a severely deformed man in 19th century London.

A woman enlists a man who claims he is gay to accompany her on a long drive to a feminist conference in Munich.

Five twenty-something friends spend a drug-fueled weekend in Cardiff, Wales.

Based on the 1973 rock opera album of the same name by The Who, this is the story of 60s teenager Jimmy. At work he slaves in a dead-end job. While after, he shops for tailored suits and rides his scooter as part of the London Mod scene.

Tank is an investigative reporter and jailbird, framed on scant evidence supplied by the London mob. Helen is the sensuous call-girl who offers Tank ammunition and retribution. But, retaliation is swift and brutal, in the guise of Sir Robert Knights and his equally lethal lawyer, Dunboyne. A series of hideous murders follow as the devil protects his own. Only Malling and Helen can halt the onslaught. But, for how long, and at what price?

The film is about a piano player who falls in love with Mari, a beautiful blond woman, who happens to be the wife of a deaf-mute animal caretaker. Both men adore Mari, as she loves both of them. Albeit all of them know this way won't stand.

In 1964, a new phenomenon exploded on to the dingy British streets. It was the essence of all that was cool. It was Mod. Mods stuck two fingers up at the class-ridden society and its dull redundant culture. They were working-class free spirits who rode sexy streamlined Italian Vespas or Lambrettas. The sharpest Mod of all was known as a 'face'. The Small Faces encapsulated all that is Mod, a unique blend of taste and testosterone, neat, clothes obsessed, and street-wise. But these cult sophisticates shared another passion, their dedication to 'Rhythm n Blues.'

Teenager Jimmy's life begins to unravel after the death of his father. With his mother promiscuous and his new stepfather and stepbrother difficult to get along with, he begins to fall into a cycle of petty crime and self harm.

Neglected by her family, kept apart from her grandchildren, desperately short of money, Bea begins to gamble - at first for small stakes, but ultimately for the highest stake of all: revenge for the past.

A man and his wife, who are proprietors of a struggling window-covering business, agree to install curtains in an exclusive club patronized by a wealthy friend of theirs. After completing the job, the shop owner has great difficulty collecting payment for the job. His "friend" becomes scarce and Spall finds he has no legal foot to stand on since there is no written record of the informal transaction. With the couple's business floundering due to mounting debts, and their former friend's crass attitude towards their predicament, anger and frustration reach the boiling point.

Alvin Rakoff's adaptation of Arnold Wesker's The Kitchen for Play of the Week. The Kitchen, first preformed in 1957, was Wesker's first work and his most performed play. The Kitchen has been produced in sixty cities including Rio de Janeiro, Tokyo, Paris - where it was the first widely recognized production by Théâtre du Soleil in 1967, Moscow, Montreal and Zurich.