Mika, heiress to a Swiss chocolate company, is married to celebrated pianist André and stepmother to his son, Guillaume, whose mother died in a car wreck on his tenth birthday. Their lives are interrupted by the unexpected arrival of Jeanne, a young woman who has learned she was almost switched with Guillaume at birth.

Louise, who has just written a novel, comes to Paris to meet with a potential publisher. While in the city, she stays with her older sister, Martine, who in many ways is the exact opposite of Louise: she lives in a fashionable neighborhood, is cold to others, and has snobby friends, while Louise lives in a small town and is thoroughly unpretentious. Louise's apparent happiness -- and similarities to their mother -- gradually gets on Martine's nerves.

Michèle is the new French consul in a South American country. She quickly discovers that the government is, in fact, a dictatorship. Moreover, her seventeen-year-old daughter is involved in the revolution against the regime.

Several times president of the Council, at the end of the 1930s Pierre Laval became one of Marshal Pétain's strongmen, a loyal collaborator for the Germans. Rounding-up Jews, forced labour, tracking the French resistance..., he served Hitler faithfully to the end. When France was liberated, he was tried, condemned, shot.

After his wife leaves him for another man, Jacques hires a housekeeper, Laura, to keep his Paris apartment in order. As he starts increasing her hours and spending more time with her on her days off, Jacques is torn between the pleasure of Laura's company, and the headache that such an intrusion brings to his new domain of singlehood.

A courageous judge tries to dismantle a drug traffickers ring.

A 14 year old boy, an ER doctor, a cop looking for revenge, a mother fighting for her children and a man distraught by the death of his wife see their destinies come together. As the doctor spends several days in a coma, events keep on happening and all will be swept by the shock wave.

The idea for this film about a generation and its lost ideals came to Romain Goupil after attending several funerals of friends in the fall of 1996, where the '68 generation, now in influential positions in media or politics, kept meeting each other. It seemed as if the revolution that they had tried to make was being buried with each coffin. A MORT LA MORT is in some ways an homage to this generation, now in their fifties. They were a privileged generation that thought that they could change the world, doing everything that their parents failed to do. There were no actual deaths in France as there were in Germany or Italy, but the system was not ideal for personal issues or for love. There was always a scapegoat for the injustices of the world, be it capitalism or imperialism. That way the blame could be placed somewhere else. Some of the '68 generation are still faithful to the principles of their youth and still continue to fight for the illusions of the past.

The story of Artemisia Gentileschi (1593-1653), one of the first well-known female painters, including her youth, when she was guided and protected by her father, the painter Orazio Gentileschi.

Beautiful violin virtuoso Camille has two obsessions: the music of Ravel, and a friend of her husband's who crafts violins. But his heart seems to be as cold as her playing is passionate.

Young John Anderson is captivated by jazz musician, Billy Cross when he performs on the remote airstrip of his Western Australian outback hometown after his plane is diverted. Years later, now a family man and making a meagre living tracking dingoes and playing trumpet in a local band, John still dreams of joining Billy on trumpet and makes a pilgrimage to Paris.

After the death of her mother, a woman returns home to care for her sister.

A young woman passionate about reading immerses herself in the adventures of a fictional character who makes reading her profession. As she explores different neighborhoods and wintertime Provence, her imagination blends with reality, revealing the mysteries behind each word.

Panic attacks and memory loss signal the plight of a writer whose body is inexplicably being taken over by another woman.

Summer 1969 on the Mediterranean coast. Paul and Vincent are childhood buddies. On a beach one day, they meet Alice and her friend Eve. After a series of memorable adventures, couples fall into place but not quite in the right order. Alice blossoms elsewhere, Paul marries Eve and Vincent weds Marie. The 70s are in full swing. Thanks to the pill, women's lives change radically, sexology is in, feminists's voices can be heard loud and clear but unrestricted and free access to abortion has yet to be attained. Against the backtop of a decade marked by sexual liberation, these three girls and two boys will cross each other's paths, love one another, split up and reunite.

Anne is an attractive woman on the cusp of middle age trying in vain to divide her time fairly between her demanding job as a television presenter and her family. Her colleagues and friends have similar problems though.

Valentine and Alex are married, both lawyers, specializing in family matters. In the exercise of their profession, they defend the divorce of the XXIst century: amicable, in the serenity and the respect of the other, preferably in alternating custody and in the blended family, far from the cased vases and the atrocious scenes of household of the previous generation. Until the day when, because of a banal adultery, their couple shatters. And the reality of the divorce catches up with them: no more fine words, just war.

The story of a model who reaches the end of her short career as a catwalk queen.

Antoine is a lawyer living in New York. On his way back to France for the final round of a job interview, Antoine finds himself sitting right next to his ex-girlfriend Julie. With a seven-hour flight ahead of them, they are going to have to speak to each other.

Valeria is a passive onlooker to her own life in Turin, and she grows so obsessed with the activities of her neighbor Massimo that when he moves to Rome she decides to follow him. There she meets and unexpectedly befriends Massimo's companion Flavia, and becomes enmeshed in both of their lives.

January 1649: Since the death of his father, the young Louis XIV must undergo the hard apprenticeship of royal power. He must face the intrigues of the great ones of the kingdom who lead La Fronde, the agreements and the betrayals of those close to him. He is helped in this by his mother Anne of Austria and by the Cardinal Mazarin.

An expatriated French novelist returns to Paris when she learns that her childhood home is being placed on the auction block.

How to become a man when your mother and your closed circle have decided otherwise? This is the challenge Guillaume took up. The film recounts Guillaume's tragicomic battle from the young age of eight, as he adopts the role of a girl then of a homosexual... until, aged 30, he meets the woman who, after his mother, will become the other woman in his life. Beyond this story of a heterosexual coming-out, the film tells the tale of an actor who never stopped loving women, maybe even a little too much.

When she was seven, Elise Gardet witnessed her mother’s brutal murder. Ever since, she has tried to forget this unsolved crime. Now she’s 18 and beautiful, but her bourgeois family and her stepmother’s anxiety are suffocating her.

Marie Heurtin is born both blind and deaf. Sister Marguerette wins her trust and teaches her how to express herself.

As a result of an automobile accident, a sophisticated TV producer meets her car mechanic/blue collar nemesis. They start a comic affair, but can they reconcile their totally different worlds?

In this family comedy, Papa has no end of trouble getting his young son to accept his new girlfriend.

Two teenage girls are rehearsing a scene from a play by Marivaux, a love scene, and from the first seconds, we know who will be the heroine, who will be Charlotte, the one who will, to summarize brutally, discover her homosexuality.

Guy's father was a hero during the French Resistance era but he never talks about it, or so little. When he dies,Guy, his brother and his sister have him incinerated, following a wish their dad had expressed when he was still alive. But Guy soon starts feeling uncomfortable about this move. Haven't they, by cremating the body of their father, make a hero disappear from man's memory? Haven't they used the same method as the Nazis to get rid of the remains of a hated enemy?

In this French gangster drama, a young hoodlum, new to his famed father's dubious profession, successfully completes his first hit but then finds himself trapped in between a brutal vendetta between rival gangs. To save himself, Francois joins forces with a motley gang of crooks, led by the emotionally unstable Rufin, and tries to wait the situation out while amusing himself with the affections of a nightclub chanteuse. Meanwhile, his colleagues are being killed off, one by one, leaving him to wonder whether or not his father will use his clout to save him.

The fates of three entwined families. Joséphine and Tomas have just got married. It was a joyful celebration. But soon, Joséphine’s parents will discover a darker side lurking behind the couple’s sunny happiness. Meanwhile, Mélanie tells her parents that she is pregnant but the father is not ideal.

A man receives a mysterious e-mail appearing to be from his wife, who was murdered years earlier. As he frantically tries to find out whether she's alive, he finds himself being implicated in her death.

Anne, a Parisian, visits her friend Yola in Tel Aviv, where Yola lives with her husband Avi and their son. There's tension in the air and the attraction between the two women is palpable. Flash back five years to their meeting, on a train to Jerusalem. Yola invites Anne to stay at her hotel, and over the next five days, their friendship builds from talk about their lives to an explosive menage a trois when Avi joins them on fourth day. Back in the present, can Yola have both Avi and Anne, or are the women futilely chasing rainbows?

Al and Elsa have been a couple for some time, but the chances that their relationship will be long-lived are few. For one thing, Al is appallingly dependent on Elsa for his every emotional need. For another, Elsa is an incredibly elusive person, extremely difficult to pin down about anything - especially whatever is bothering her. How they have managed to survive this long is a cause for wonder. When Al gets an opportunity to be cast in a movie role, complete with no-cost occupancy in the casting agent's ugly but fashionable apartment, he jumps at the chance to provide a little material satisfaction for his beloved Elsa. But what exactly does she want?

Jean-Baptiste Poquelin is raised by his father and his grandfather because his mother dies when he's still very little. He works as a handyman, studies the law at a university and travels the country as an actor before he becomes the celebrated playwright Molière who impresses firstly the Duke of Orleans and then even King Louis XIV.

After the Great War, a wounded Frenchman lives atop a mountain with his wild brother who violates the property of villagers below.A second kind of war ensues.

Walter Faber has survived a crash with an airplane. His next trip is by ship. On board this ship he meets the enchanting Sabeth and they have a passionate love affair. Together they travel to her home in Greece, but the rational Faber doesn't know what fate has in mind for him for past doings.

Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.

Seen through the filtered lens of boyhood memories, award-winning director Mohamed Lakhdar-Hamina crafted this half-fictional, half-autobiographical account of a brief period in the history of an Algerian village. It is 1940, and the quiet town is ruled by French colonialists appointed by the Vichy government. Algerians are being called up for service in the Vichy military, and Jews in the village are in danger of deportation. A beautiful young schoolteacher named Claire Boyer (Veronique Jannot) arrives in town and turns every male head within miles, including 14-year-old Mouloud (Merwan Lakhdar-Hamina, the director's son). Simon Attal (Michel Boujenah), a fellow teacher and a Jew, is also attracted to Claire, and so is Mouloud's older brother. Suddenly two murders occur in the village, Simon is in danger of being deported, and the tone shifts from the dreams of boyhood to the realities of manhood.

Successful writer/director Bernard Rougerie is at a creative dead end and decides to isolate himself from his wife in order to complete the script for his next film. Bernard moves into an apartment building whose tenants are in the midst of a revolt against their abusive landlord. Reluctant at first, he joins their cause and then becomes involved in an affair with young, unemployed resident Anne.