A man married to a Christian, but from a shamanistic upbringing, attempts to come to terms with the spirit of his mother who visits him in dreams.

Sa Bangji was an intersex person who according to historical records lived during Korea’s Joseon Dynasty. Taken in by a kindly benefactor, Sa Bangji lives in a monastery that is one day visited by a young widow, Lee So-sa, who is in mourning following the death of her husband. The pair’s meeting seems predestined, with the erotic attraction between Sa Bangji and Lee So-sa soon evolving into something far more transcendent – and dangerous. While aspects of the film – its stylised depiction of female actors and sex – identify it as a product of its time, Sa Bangji is undeniably a milestone in screen representations of intersex people, a film that refuses to shy away from the horrendous stigmatization faced by its titular character.

Kang-wook, a law student at Seoul National University, finds himself in a tight spot financially after losing contact with his family in North Korea. He sells his own blood at a hospital to make ends meet, and there he meets and grows close to nurse Jin-young. As Kang-wook faces financial difficulties, Ki-yong, a son of a landlord's agent, appears and tricks Kang-wook into joining left-wing activities. Ki-yong's true identity is revealed by Yoon-ae, a friend from hometown, leading to his arrest. Meanwhile, Kang-wook and Jin-young marry with the blessings of Professor Park and their friends, while Kang-wook's friend Do-hyeon struggles to hide his feelings for Jin-young. Their sweet days together come to an end with the outbreak of the Korean War, separating them. Jin-young, unable to wait for Kang-wook any longer, decides to flee the war with Do-hyeon. Kang-wook, hiding at Yoon-ae's house, is eventually arrested by Ki-yong and the leftists, who had been freed from prison.

A barren noblewoman encourages her husband to take a young peasant as a surrogate to secure the male line.

Kwang-yeol is placed in the mental hospital for no reason as soon as he comes back to Korea after studying abroad. He manages to escape from the hospital and the continuing mysterious incidents puts him in the train headed to Yeosu. On the train, Kwang-yeol comes across the detective Yu who shows him the picture of his twin brother Bong-yeol on the newspaper. He attends the Bong-yeol's funeral service and goes into Bong-yeol's house to run into Sul-hi, Bong-yeol's wife. Mystery is solved and Hye-young, the committer of all evil deed, commits suicide.

In 1980s South Korea, a former cop, now in destitution, is placed in a rehabilitation center, where, by chance, he finds the Communist guerilla who had eluded his capture more than 30 years ago.

After being released from prison, both Lee Jong-Bae and Moon Do-Seok, who served imprisonment at the same prison, plan to commit crime with carbine rifle having no butt plate. They succeed in the first crime, but kill a person so that Moon regrets his wrong doings. But, Lee commits the second crime to hurt persons. Lee's wife advises Lee to deliver himself to the police, but Lee neglects her advice.

Keon wants his friend's girlfriend so he tries to take her by force but she gets away. Instead, she runs into a truck driver who rapes and murders her. Keon is wracked with guilt. As the investigators close in on Keon, Madam Sun-wu hides him. Keon becomes Madam Sun-wu's toy-boy. He also becomes a nude model for Ma Mi-ae, Madam Sun-wu's friend. Mi-ae is drawn to Keon. Mrs. Yun, whose husband is impotent, also looks to Keon to satisfy her desires. As the investigation's net tightens, Keon's life falls apart. Mrs. Yun dumps Keon on a road in the middle of the night. The prostitute Lan helps Keon out. However, in despair, Keon runs out into the rain and screams. On TV, the news broadcast the capture of the real criminal.

Ha In-young has suffered for years under her husband, Kang Suk-wu. He's kept her captive with his loss of humanity and sexual depravation. In-young yearns for an unknown world. One day, In-young meets Min Byung-gu but Byung-gu leaves her. In-young leaves her husband and even her young daughter Ha-mi. Ha-mi searches madly for her mother. Chairman Kang, Suk-wu's father, understands why his daughter-in-law has run away. Suk-wu anguishes over the actions of his father and daughter. Suk-wu regains his sexual masculinity which he had lost for years. He forgives In-young and receives her again.

A story that follows the lives and interactions of two Buddhist monks living in South Korea.

There is trouble in a fishing village on a remote southern island. The catch has been meagre and Wang-nyeoni, the local shaman, is on strike: she refuses to perform a ritual to turn fortunes around. In flashback we learn how she married into a shaman (dang-gol) family, tried her best to help her husband succeed as fisherman, but found both their lives blighted by Pan-su, the village boss and main ship-owner. After agreeing to return to duty, blessing the fishing fleet, Wang-nyeoni will serve up cold revenge in spectacular style.

Zung comes to Korea to investigate the mysterious death of her father, Seijung, a renowned performer and composer in the Japanese music scene. While Zung pursued a different path in life by studying engineering, she is drawn back to her father's legacy. In her search, she reaches the summit of Hallasan, where her father's body was found, and meets Master Woo, a master of the gayageum, and his daughter, Gasil. Listening to Master Woo's performance, characterized by the phrase "music that is joyful yet not exuberant, sorrowful yet not mournful," she learns that her father had been deeply affected by the music, leading to his tragic passing.