Ramiro is a bookstore owner in Lisbon and a poet in perpetual creative block. He lives, somewhat frustrated, somewhat conformed, between his shop and the tavern, accompanied by his dog, his faithful drinking companions and his neighbors: a pregnant teenager and her grandmother recovering from a stroke. He would gladly continue living this quiet and somewhat anachronistic routine if events worthy of a soap opera did not invade his bubble.

A desolate woman struggles to accept her husband's unexpected death, but is confronted with his recurrent return to the waking world.

Joaquim is a romantic supermarket employee. He has only one friend Gaspar, who speaks almost only for cinematic quotes. At leisure, go around town looking for the right woman. But when found, she throws herself from a balcony. Then comes a dance, as in a musical, and an obvious surprise... A movie about beauty and glory that has more love stories.

This is the story of a young Mozambican footballer called Eusébio, a gifted athlete destined to great achievements, coveted by rival clubs, Sporting and Benfica, which ends up hiring him. Blackmail, kidnapping attempts, ministers involved, press hysteria and huge money offers make the story of this football transfer into a saga evolving between the two continents. It ends up when the legend begins: with Eusébio’s first match at the Benfica Stadium.

Threatened by a fascist plot, the Portuguese government recruits several "special people" to stop the coup.

George, an agoraphobic young woman, cannot go more than 522 steps away from her home. One day, a personal tragedy forces her to embark on a journey from Spain to her native Portugal. Along the way, George's whole world begins to widen…

Lisbon Attorney and former DA Eduardo Silva never got over the death, two years ago, of his wife valentine in a car crash. When he and his gypsy assistant Marcia Amaya hear crime baron Tiago Zarco is arrested having been found over the corpse of the massive pharmaceutical fraud case, she's surprised like the DA that Eduardo offers to defend Zarco, who accepts while keeping his uncooperative right hand-lawyer on, even if that solves their law firm's dire financial state. Silva seems prepared to risk his lawyer license for vengeance on the monster who had an affair with Valentina, yet refuses to look away from indications that Zarco hasn't committed or ordered the murder, but sets a risky trap for those fiends, which proves extremely difficult and dangerous.

Along the day, we accompany Filomena, who works as a cleaning lady, through six different places.

The tragic story of the many lives of Father Dinis, his dark origins and his pious works, and the different fates of all those who, trapped in a sinister web of love, hate and crime, cross paths with him through years of adventure and misfortune in the convulsed Europe of the late 18th and early 19th centuries.

A story about two people (Clara and Tó), from different economic backgrounds, who love each other, but whose love is not accepted by everyone, especially by the father of Clara, who will do everything he can to stop their love. Things go even worse when Clara becomes pregnant.

Two young men seek the solitude of the country; their peace is disturbed when a set of random occurrences suggest to their susceptible minds a pattern with sinister meanings.

Zico has a thirst for elsewhere. He embarks on a cargo shop in Le Havre. Soon, tensions with the rest of the crew and repeated damages undermine his dreams of adventures.

Adaptation of the novel of the same name, by João Ricardo Pedro.

A walk for half a century, yes, a letter perhaps. Travels in my life, I could call it, which I like Garrett so much. A traveling as he would like, a loose story, memories, projects, meetings. Also because, since 1995, I have done several portraits of artists (Palolo, Bravo, Lapa, Skapinakis, Bartolomeu, Angelo, Sena, Ana Vieira and I prepare Sofia Areal and Fernando Lemos), I started to think that this is my life, these meetings , see, hear, cut, show, tease. I want, with this film continue to show what I see. [Jorge Silva Melo]