The film is based on the popular Dutch childrens book by Chris van Abkoude. In a Dutch port in 1921 lives a 10-year-old orphan boy known to everyone simply as Little Crumb. His poverty-stricken mother Lize van Dien filled with shame was forced to turn him over to Mrs. Koster soon after he was born. Foster mother Mrs. Koster, who has cared for him since he was a baby, is very poor too, unable to support him by herself and proves to be a cruel taskmaster who insists Crumb bring her money before shell feed him. Somehow he must earn his keep out on the streets and can only go home after he has earned enough money. Crumb becomes an urchin stealing from the streets barrows and the shops to stay alive, sleeping in churches or huddled in doorways. Sometimes he has to run off from the police and he has earned the enmity of the most grownups around him.

Cornelis van Doorn is the CEO of VD, a meat factory as well as a developer of contraceptives. Cornelis is the patriarch of the Van Doorn family: a decadent bunch of loose morals who only lust for money and power. When the man is thinking about retiring, he has to find the right heir to take over the family business.

When Louise (70) and Max (72) meet, it is love at first sight: they abandon their sleepy lives and travel to the South of France, where they become the terrors of the 'Route du Soleil'. They rip off naïve tourists with their act as a sad old couple: a second youth that goes further than their wildest dreams. Based on a true story.

The story of two prostitutes working in the Amsterdam Red Light district, and the many strange and unusual men they meet through their work.

Four-part musical about the life of Dutch actress Fien de la Mar, chronicling her earliest days on stage with her father, her glory days as a stage and movie star and the building her own theatre, up until the tragic end of her life.

After a year's trip around the world, twenty-year-old Daniël comes home where a surprise awaits him. In his absence, his boring bourgeois parents have become completely captivated by the sexual revolution. In their new trendy clothes and their 'groovy' white interior, they make sexual freedom a mockery. This upsets Daniël so much that he flees again. This time to the 'peaceful, unspoilt countryside'. Disillusionment awaits him there too. Frustrations and sexual obsessions appear to be just as intense there as in the big city.