Documentary exploring the music of rock band Roxy Music, who have a good claim to be one of the UK's most influential bands. Led by charismatic front man Bryan Ferry, their striking style and great songs won them an army of fans who would go on to make their own mark in the world of music. In this celebration of the music of both Bryan Ferry and Roxy Music, insights and anecdotes are provided by household names from Sadie Frost to Glenn Gregory & Martyn Ware, Gaz Coombes, New Order's Stephen Morris and Gillian Gilbert, Shaun Ryder and Alan McGee, Ana Matronic and more.

Svengali tells the story of Dixie, a postman from South Wales, and a music fanatic. All his life he’s dreamed of discovering a great band and then one day, trawling through YouTube, he finds them… ‘The Premature Congratulations’. He hunts them down and offers them his management services. They are young, arrogant, sexy and utterly magnificent. Putting their demo on a cassette tape, Dixie heads out onto the streets of London…

Irvine Welsh in his own words, with Iggy Pop, Martin Compston, Danny Boyle and others paying tribute

Happy Mondays frontman Shaun Ryder and Creation Records boss Alan McGee reveal a selection of their all-time favourite tracks. Theirs is a blistering playlist of indie, punk and ska classics from Buzzcocks to The Specials, Junior Murvin to Marc Bolan, Orange Juice to Underworld and many more.

Titled after the first-ever song to play on their airwaves, Kick Out the Jams follows the development of XFM from its rebellious pirate radio roots in the early 90’s, through to its official FM radio launch in 1997 as a major platform for launching alternative talent into the mainstream. The doc deep-dives into the struggles and influence of the station which gave rise to the likes of Ricky Gervais and Stephen Merchant, whose global hits The Office and The Ricky Gervais Show were originally developed while working at the radio station.

Documentary on the independent Edinburgh record label Fast Product and Postcard Records and associated bands like Fire Engines, Scars and Josef K

The film follows the band Slowdive as they come up in the flourishing Thames Valley shoegaze scene and chronicles the making of their classic album Souvlaki. It features interviews with all of the band members as well as Creation Records' Alan McGee, producer Chris Hufford, and engineer Ed Buller.

Supersonic charts the meteoric rise of Oasis from the council estates of Manchester to some of the biggest concerts of all time in just three short years. This palpable, raw and moving film shines a light on one of the most genre and generation-defining British bands that has ever existed and features candid new interviews with Noel and Liam Gallagher, their mother, and members of the band and road crew.

Over a quarter of a century since it began and a decade after it folded, this is the definitive film about Creation Records, one of the world's most successful and colorful independent labels. This is the story of the rock n roll dream and its accompanying nightmares. Millions of sales on both sides of the Atlantic, near bankruptcy, pills, thrills, spats, prats, success, excess, pick me ups, breakdowns and of course some of THE defining music of the late 20th Century. This is the definitive and fully authorised story of the UK's most inspired and dissolute label, from the Jesus & Mary Chain at the Living Room to Oasis at Knebworth.

Grant McPhee's sequel to Big Gold Dream picks up where the previous film left off, and continues its thrilling tour of the pre-Britpop, Scottish music scene. It features bands, such as The Bluebells, The Pastels, The Soup Dragons and an early incarnation of Teenage Fanclub; plenty of rich archive footage; and fascinating interviews with some of the key people of the time, including Edwyn Collins, Bobby Gillespie, Jim Reid, Sean Dickson, Eugene Kelly and Alan McGee.

In August 1995 Blur and Oasis were engaged in a head-to-head chart battle which divided music fans and led to a wider argument about British pop music. John Harris, journalist and author of The Last Party - the definitive study of the entwinement of music and politics in the 1990s - presents a documentary charting the rise of Britpop, its brief romance with New Labour and the emergence of 'new lad' culture. Finally, as Britpop declines, he asks what legacy it has left. Including contributions from Blur's Graham Coxon, Elastica's Justine Frischmann, Sleeper's Louise Wener, former New Labour insider Darren Kalynuk, and the founder of Creation records, Alan McGee.

During the 90s, Britpop dominated the airwaves and an epic pop rivalry sparked into life when Blur’s single ‘Country House’ went up against Oasis’s ‘Roll With It’ in the charts.

Documentary that outlines the 1990s and the decade the changed the world.

A documentary made for television that looks back on the development and rapid rise of Oasis from being a band practicing nightly in the Boardwalk to one the biggest British bands of the last thirty years. Building from the formation of the band (with Liam apparently just fed up waiting for other bands to release records and decides to do something himself), the film uses contributions from key people really well to tell the story in an engaging way.

The story of the British pop charts from their beginnings on the 50s through the heyday of the 70s and 80s to their re-emergence in a digital world.