Nami Suzuki is an ordinary girl with no particular dream and only wants a moderate amount of work and love. She decides to go to Tokyo to chase after her crush, Kenya. However, instead of working at the equipment management department where Kenya belongs, Nami has been assigned to the magazine editorial department and meets Reiko Hōrai, the youngest editor-in-chief, who is very smart but has a poisonous tongue. Nami becomes stressed as she constantly gets criticized by Reiko for her poor working performance. At the same time, Nami meets cameraman Junnosuke, a son from a rich family who made a surprising proposal to Nami. Nami,mwho used to want a moderate amount of work and love, is now running at full speed towards both.

Comedian Ryuji Akiyama satirizes top "creators" in Japan with a deadpan, unerring eye for humor, with help from some surprising celebrity guest stars.

Tamotsu is suspected of murdering his actress wife Shizuka Harada. He flees to Taiwan and commits suicide. Tamotsu’s friend Banji Masuzawa works as a private detective, and has doubts about Tamotsu’s death, but the case is covered up by powerful media mogul Heizo Harada.

Daimon Michiko is a 37-year-old freelance surgeon who is part of a questionable “doctor placement service” that has her wander from hospital to hospital. The harsh environment at the hospitals led many doctors to retire from their positions, forcing hospitals to make use of said program to fill the empty spots at least temporary. However, Michiko doesn’t look like a doctor at all with her flashy clothes and eccentric attitude. In the first episode she raises objections to a certain operation which is planned to be done by the head of a hospital who hasn’t performed an operation for a very long time. This causes Michiko to incur odium at the hospital, however, everyone becomes frozen when Michiko points out the outdated skills of the director. She also holds a scrupulous compliance when it comes to her working hours, never does any unnecessary chores that don’t require a medical license, and couldn’t care less about the power struggles within the hospitals. Nobody knows how she acquired such a top-level skill that allows her to claim exorbitant sums as reward, but her private life is an even greater mystery to everyone around her. Tanaka plays a rookie surgeon, Uchida an anesthetist, Kishibe the head of the placement service, and Ito the head of the surgical department of this institution.

Natsuki Obana (Takuya Kimura) is a charismatic Japanese chef running a 2-star restaurant in Paris. Despite an extreme pride and confidence, he can’t seem to earn the 3 stars he covets. Feeling the pressure of a career slipping away, Obana’s troubles are compounded when his restaurant is caught in a scandal that forces its closure and the departure of his staff. Amid his despair, a glimmer of hope arrives when he encounters a female chef with whom he is encouraged to start anew. Assembling a staff of talented chefs, he launches his restaurant but is constantly clashing with personnel. Can a middle-aged man once knocked down recover the verve of youth necessary to achieve a lifelong dream?

Work-life balance, side job, online meetings… In today's world of drastically-changing work styles, an incredibly cheerful but incapable new employee is borne! Meet Marilyn Tanaka. She is assigned to a redundant department where a peculiar employee, Ms. Minegishi, becomes her senior. "Don't you want to climb the ladder?", she tempts Marilyn.

A vertical drama about a trio of police officers who are investigating a series of murders… The first production under the Jogekankei (World) content label begins with a bizarre serial murder case in which a strange body is found synthesized with mannequins. Through their investigation of a family involved in the case, the three detectives uncover the mystery of the inexplicable incident and the startling truth.

In an alternative feudal Japan, a strange disease that only affects males caused a massive population reduction, leaving females to fill the vacant jobs, therefore changing the social structure. Now, 80 years after the initial outbreak with a 1:4 male:female ratio, Japan is a completely matriarchal society. Females hold all important political positions, and males are their consorts. Only the most powerful female—head of Tokugawa shogunate—may keep a harem of handsome and unproductive males, known as "Ōoku".