It's the 24th of December: The emergency department of a district hospital is preparing for a turbulent night: head physician Professor Singer, who has lost his wife and is even more involved in the work, and the surgeon Hannah Cornelsen, who talks about the work can forget that she and her husband have dwelt apart. On Christmas Eve, the hospital will become a microcosm in which a wide variety of people and destinies will meet - and for everyone, life will be in a completely different light next morning.

Music teacher Carlo, an easygoing old rock'n'roller, meets doctor Ellen in hospital. She is completely stressed out, so that even son Franz often falls by the wayside. A short time later, Carlo makes an unforgivable mistake: fed up with the pupils' never-ending paltry questions, he advises Franz, whose anger at his mother is slowly boiling over, that he should simply report her to the Youth Welfare Office.

Werner, Ralle and Tarik are a well-coordinated trio at Berlin's waste disposal service. Werner has been with the company for a long time and is a real leader - someone who says when he doesn't like something. This doesn't always go down well with his superior Dorn - a former refuse collector who has made it to the top. What nobody suspects yet: Dorn is planning modernization measures.

Werner Träsch, who has just moved into an apartment with his great love Gabi Hertz, surprises her with a trip to Fuerteventura on the second anniversary of their meeting. However, this proves to be difficult to implement...

During their tour, Werner Träsch and his colleagues Ralle Schieber and Tarik Büyüktürk arrive at a housing estate where the businessman Waselitzki draws their attention to graffiti. Waselitzki plans to rent out the apartments in order to then rent them out again at a higher price. Träsch and his colleagues want to prevent this with all their might.

In the third film in the popular series, "The Three from Garbage Disposal" have to embark on an unusual "Mission to the Future". A 16-year-old environmental activist is sentenced to a one-week student internship with "Captain" Werner Träsch.

"Captain" Werner and his crew are quite astonished: in the depot of the Berlin garbage disposal there is a stroller with a baby!

Werner Träsch moves into an apartment with his great love Gabi Hertz. However, he can hardly help with the furnishing of her apartment because he is campaigning to save his favorite restaurant "Zur Traube".

The Irish musician Oisín (Tadgh Murphy) and his band come to Berlin for a few gigs. They are excited about the city and its legendary nightlife. As they unpack their things at the hostel, Oisín finds an envelope with money from his father in his pocket. Later, at their concert, everything seems to be going well - the boys are in a good mood, the audience is going along - when Oisín suddenly freaks out in the middle of the stage. The anger at his father for abandoning the family and the pain over his mother's death overwhelm him and he throws himself into Berlin's nightlife alone. When he meets the young, pretty Berliner Sabine (Aylin Tezel) and she shows him places far away from the party and tourist hotspots, he seems to find support with her.

"Captain" Werner Träsch is quite astonished: the fresh wind of social change is also blowing among the tradition-conscious Berlin garbage workers. His boss, Dorn, has got it into his head that women should finally be employed as refuse collectors.

During their tour, Werner and his colleagues Tarik and Ralle get in the way of a young man who wants to "steal" expired groceries from a supermarket container

Water pipe burst and bomb alarm - Berlin in a state of emergency: Dorn and Gerald don't know where their heads are. The routes for the garbage collectors have to be reworked due to numerous road closures, chaos rages.

Garbage manager Rüdiger Dorn wants to move into his parents' house after the death of his mother - but that has to be brought into shape first. It goes without saying that Werner pitches in.

Der Sandmann investigates the intersection of history and memory as witnessed against the backdrop of post–Cold War Germany.

It was one of the great crimes of the Second World War: from 1941 to 1944, a total of 872 days, the siege and starvation of Leningrad by the German Wehrmacht on Hitler's orders lasted. Over a million people fell victim to the blockade, most of them dying of hunger. Countless of these starving people wrote diaries with the last of their strength, and cameramen filmed in the paralyzed city. Evidence from the hell of the siege, many of the film recordings, but above all the written memories on which this documentary on the occasion of the 80th anniversary of the liberation is based, remained under lock and key after the war. The voices of those who had suffered through this terrible time should not be heard by anyone, because they did not fit the pathos of the Leningrad heroic song that was officially sung. Most of the recordings come from women. The writers feared neither the enemy nor the Communist Party or Stalin, who often proved incompetent in providing for the population.