On a normal day, a stranger breaks into Sumire's apartment and assaults her. Sumire reacts incredibly calmly to the incident, but she still feels the dangers and uncertainties creeping upon her. All that seem to be peaceful and ordinary start to collapse. As everything slips toward the unexpected, Sumire starts writing again, and reinvestigating the relationships around her.

Haruo returns to his hometown for his mother’s second marriage, where he happens to meet his first love Miyuki for the first time in eight years. Miyuki is back in town with her daughter Chiharu, after leaving a failed marriage.

A film about making films, we follow the exploits of Kiriko, an indie film director who is struggling to make a road movie that ends on a beach. Why do so many independent films have to have a beach scene? That is a question that gets asked along the way but her journey to the location is beset with difficulties, from budget to casting. There is only so much she can do and so she inches forward making compromises and finding ways around problems to realise her dream, all while living in the real world and fulfilling obligations to others as best she can.

An autobiographical docudrama about an attempt to remake Alain Resnais' 1959 film Hiroshima Mon Amour.

Storytelling Guy writes about his intimate relationships in his novels, even if it hurts those around him. Hotel Girl wants him to write about her, and lives with Night Shift Guy to provide material. Traveling Girl was in one of Storytelling Guy's novels, and has returned after a long absence.

Japan, 1944. Trained for intelligence work, Hiroo Onoda, 22 years old, discovers a philosophy contrary to the official line: no suicide; stay alive whatever happens; the mission is more important than anything else. Sent to Lubang, a small island in the Philippines where the Americans are about to land, this role will be to wage a guerrilla war until the return of the Japanese troops. The Empire will surrender soon after; Onoda, 10,000 days later.