During the one-year memorial of his late beloved father, a soon-to-be father (Hoshi Ishida) struggles to reconcile his feelings of loss and receives support from his mother, sister and wife. -JAPAN CUTS: Festival of New Japanese Film

One day after school, the serious Ito and the child-like Nishi meet by chance, as each endeavors to remain walking on the sidewalk's white line. As time goes by, Ito recognizes he is drawn to Nishi in a way that is new to him. Nishi, for his part, is frustrated that they only get to meet on the sidewalk. Ito decides to act upon his feelings and kisses a surprised Nishi, who agrees they need to walk side by side for a change. The sparks between them are undeniable as their relationship blossoms in high school, survives the college years, and matures into adulthood. A deeply moving work that bears witness to loving partners, whose unchanging feelings must co-exist within a world of changing realities.

21st Century Girl is an omnibus feature that is of the girls, by the girls and for the girls. The work of 15 women directors under the age of 30, each of whom contributed an 8-minute film, the package highlights a range of genres, visions and thematic concerns.

Saki, a high school girl who always skips classes, works part-time as a life adviser.

Through philosophical and science themed imagination, Emile questions everything from his teenage years to adult life.

Shuji Tokita (Eiji Okuda) is a film director and a professor at a university. He goes through a difficult time trying to film his new movie. He believes his movies reflect his own personal expriences. A female high school student, Ritsuko (Yukino Murakami), appears in front of Shuji.

Michiko used to work as a live-in part-timer at an izakaya, but suddenly lost her job and her house at the same time due to COVID-19 pandemic. There are no new jobs because of the COVID-19 pandemic, and diners and internet cafes are closed. Michiko is at her wits' end, but there in front of her is a bus stop that stands slightly brightly in the darkness, illuminated only by the streetlights.

High schooler Haruna befriends loner Yamada, then is drawn into the tangled relationship between him, a model and the girl who loves him unreasonably.

Taxi driver Gion Taro falls in love with one of his female passengers. When he learns that she is a famous actress shooting a film in his beloved hometown Kyoto, he doesn't hesitate for a second to apply for the last remaining acting role - as a taxi driver. Based on a radio drama, Gion Taro's odyssey is charmingly animated with paper cutout figures, set against the backdrop of scenic Kyoto.

Shunsaku was paralyzed from the neck down at the young age of 36 by a spinal injury suffered in a motorcycle accident. A blind woman named Hanae arrives to be his caregiver. Despite her frustrations with Shusaku's ill-nature and verbal abuse, Hanae also harbors a tremendous sense of being deprived that she doesn't tell others.

Screenwriter Goro Kaiba is horrified to learn via Facebook that his wife Ayako is having an affair. Furthermore, her post about the affair has received 108 likes. Absolutely furious, Goro Kaiba contemplates divorcing his wife, but he estimates he will have to pay her half of his assets, about 10,000,000 million yen, in a divorce. To get revenge, Goro Kaiba decides to use that money on a epic one month womanizing streak. His goal is 108, the number of likes his wife received on social media.