Documentary about polish director Krzysztof Kieslowski

Documentary featuring a candid interview with Kieślowski and rare behind-the-scenes footage from the set of The Double Life of Véronique

Portrait of an artist as a young manic. First, a montage of still photographs of an artist's face. Then motion. He stirs in sleep; he paints and expresses frustration. He looks for a light for his cigarette. He sketches, wads it up; makes tea; stares at his face in a mirror, then looks at canvas after canvas of self-portraits. (IMDb)

This interview, made in January 1995, is an attempt to examine the universal messages offered by 'Decalogue', as well as it's idiosyncrasies

Maria Zmarz-Koczanowicz directed this insightful TV documentary (2005) tracing the Polish filmmaker's career. Former classmates reminisce about Kieslowski's happy beginnings at the Lodz film school and how his dissatisfaction with some of his early documentaries prompted the dramatic work and stylistic experimentation that led to his monumental series of films The Decalogue (1989). Wim Wenders, Agnieszka Holland, and Juliette Binoche are among the many admirers weighing in on his hard-driving work methods and preoccupation with the ephemeral. In Polish, French, and German with subtitles.

Film director Krzysztof Kieślowski examines in detail one scene from each of the films in his Three Colors Trilogy.

A documentary about the showing of Krzysztof Kieślowski's film RED at the 1994 Cannes Film Festival, including interviews with the director and the cast of the film.

"Legenda" is a document about a famous polish writer Stefan Żeromski. It serves as an interview with people who knew the artist.

Documentary tracing the filmmaker’s work in Poland, from his days as a student through The Double Life of Véronique.

The Midnight Sun Film Festival is held every June in the Finnish village of Sodankylä beyond the arctic circle — where the sun never sets. Founded by Aki and Mika Kaurismäki along with Anssi Mänttäri and Peter von Bagh in 1985, the festival has played host to an international who’s who of directors and each day begins with a two-hour discussion. To mark the festival’s silver anniversary, festival director Peter von Bagh edited together highlights from these dialogues to create an epic four-part choral history of cinema drawn from the anecdotes, insights, and wisdom of his all-star cast: Coppola, Fuller, Forman, Chabrol, Corman, Demy, Kieslowski, Kiarostami, Varda, Oliveira, Erice, Rouch, Gilliam, Jancso — and 64 more. Ranging across innumerable topics (war, censorship, movie stars, formative influences, America, neorealism) these voices, many now passed away, engage in a personal dialogue across the years that’s by turns charming, profound, hilarious and moving.

Documentary on Krzysztof Kieslowski's Dekalog from the BBC Arena series.

After the war, the community of mountaineers is eager to start their own sawmill. When the communist authorities come to take over the sawmill, a rebellion starts.

What makes European cinema so special? Find out in Paul Joyce’s feature-length documentary, Pictures of Europe, which examines the differences between American independent and Hollywood movies and films from European directors. Featuring luminary iconoclasts from European cinema such as Agnes Varda, Bernardo Bertolucci and Pedro Almodovar, as well as American counterpoints from Paul Schrader, and those who have crossed back and forth, such as Paul Verhoeven

Presents highlights of a workshop for young directors conducted by the Polish director Krzysztof Kiewslowski (1941-1996) in Amsterdam during the summer of 1994, inclusive of interviews with Kiewslowski himself. The theme of the workshop was the direction of actors. For a fortnight, various groups worked every day on a scene from Ingmar Bergman's film, 'Scenes from a Marriage.'

The first Polish film to discuss the failure of September 1939 Polish-German war, seen from the point of view of a university intellectual, fascinated by German culture, who decides to take active part in the conflict.

A bus crashes and its passengers find themeselves in the afterlife, which they find has the not only the same set of rules as Earth, but also the same bureaucratic chaos.