A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

A man learns an unexpected lesson about the power of the written work in this dark independent comedy from Canada. Martyn (David Hewlett) is a young man who seems to be devoting his life to going to college; he's persuaded into stealing a rare and valuable book, but the burglary goes awry and Martyn is forced to kill a book dealer when he tries to hold on to the previous volume. Martyn now has to make a getaway, get rid of the body, and deliver the purloined letters, but there's a problem -- his car won't start. Martyn finds Theresa (Tanya Allen), a beautiful female auto mechanic, and persuades her to fix his vehicle. She agrees, but Martyn soon realizes that her boyfriend is the man he's just murdered. Theresa soon catches on that Martyn has stolen the book, and displays a greater interest in his ill-gotten literature than her boyfriend's death or repairing the car.

This is a newly restored version of documentation of the 1967 group performance Snows, which was built out of Schneemann's outrage and sorrows over the atrocities of the Vietnam War. An ethereal stage environment combining colored light panels, film projection, torn collage, hanging sacks of colored water, "snow," crusted branches, rope, foil and foam was the set and setting in which an audience-activated electronic switching system controlled elements of the performance/installation. Images from film, slide and live action propel silent, ghostly performers to become aggressor and victim, torturer and tortured, lover and beloved, as well as simply themselves in this breakthrough mixed-media film performance. (The film Viet-Flakes is a central element).

What would have happened if the Neanderthals had prevailed over Homo Sapiens? How would our species have evolved? How does art relate to evolution, and why in the world does evolution behave like a bricoleur? Last of all, just what does Marcel Duchamp have to do with all of this? This film is neither a documentary nor a portrait of the artist Pable Echaurren; it’s a kaleidoscopic meditation on our past, present and future.

An inspiring look at how wonderful birth can be when your right to choose how, where and with whom you give birth is respected & protected. Every woman has the right to be informed about their options in childbirth. Through an exploration of home birth, this 87 min film looks at what natural, physiological childbirth really is. Is birth a medical emergency waiting to happen or a profound, natural and physiological event that women are designed for? The most comprehensive film ever made on home birth and a voice of reason in the debate, The Face of Birth outlines the importance of education in birthing and the right of a woman to choose the best and safest birth method for her and her baby.

The #1 shock cock! King of all adult media! Randy West portrays a thinly-veiled version of a certain outrageous radio show shock jock in this parody. The action starts when Rebecca Wild brings her hefty new boobs to the studio for an interview. Randy admires her prodigious up-top assets quite a bit, and shows her just that after the show in a scorching session. Randy’s next interview is with kung-fu filmmaker Cal Jammer, who he berates until he leaves in a huff. Not to worry, though, Cal goes home and is comforted by gal pal Courtney in another first-rate frolic.

UFC 248: Adesanya vs. Romero was a mixed martial arts event produced by the Ultimate Fighting Championship that took place on March 7, 2020 at the T-Mobile Arena in Paradise, Nevada. A UFC Middleweight Championship bout between the current champion Israel Adesanya and former interim title challenger (as well as 2000 Olympic silver medalist and former world champion in freestyle wrestling) Yoel Romero headlined the event.

A short film coinciding with the release of the album "Few Good Things" by Chicago artist Saba.

Two childhood friends take a rifle into the mountains, and return with a secret.

Maria cannot stand her husbands jealousy any more. He treats her in a violent way, a proof of their relation is going through a crisis. A trip they were planning to take together aiming at the amelioration of their relationship, confronts them with sex, violence and a deadly secret. Giannis appears in Marias life and they soon become lovers. The boundaries between freedom and jealousy are hardly

Naan Avanillai 2 (English: I am Not Him) is a 2009 Tamil romantic mystery film directed by Selva. It is the sequel to the Naan Avanillai (2007). Jeevan reprises the lead role, while the female roles are enacted by Sangeetha, Lakshmi Rai, Shweta Menon and Sruthi Prakash and Rachana Maurya. D. Imman, who did the film score for the first part of the film, replaced Vijay Antony as the music director. The film was released on 27 November 2009 to extremely negative reviews

A group of traveling persons end up as prisoners of a German sergeant and his squad, in an isolated and precarious cabin in the country.

When the Danish group Lukas Graham were starting out in 2012, they could never in their wildest dreams have imagined the journey they were embarking on. A journey, which would transport them from their humble roots in Copenhagen to performing on the GRAMMYs stage in Los Angeles.

An undercover Army captain links missing gold and murder to a gambler's ghost.