A thirteen year old kid, "the boy", lives and works in a cemetery. The cemetery is his whole life, and growing up with the dead instills in him an obsession and respect for death. His friends depend on him: An unhappy old man, a former political prisoner yearning for death, and makeup artist for deceased, a former artist who dreams of painting a masterpiece. The boy does what he can to help them. The old man attempts suicide, but upon learning the date of his death and seeing his beautiful plot chosen for him by the boy, he is able to bear his life. Upon meeting the beautiful Maria, "the boy" gives the former artist a surprise date with her. But when Maria and the artist become closer, the boy realizes that she is the daughter of the old man. The kid thinks the old man would die unhappy if he knew of her existence and so decides to hide the truth.

An inspiring look at how wonderful birth can be when your right to choose how, where and with whom you give birth is respected & protected. Every woman has the right to be informed about their options in childbirth. Through an exploration of home birth, this 87 min film looks at what natural, physiological childbirth really is. Is birth a medical emergency waiting to happen or a profound, natural and physiological event that women are designed for? The most comprehensive film ever made on home birth and a voice of reason in the debate, The Face of Birth outlines the importance of education in birthing and the right of a woman to choose the best and safest birth method for her and her baby.

Agron and Marjeta are happily engaged until in a trial presided by Agron, two people accused of theft reveal facts that implicate Marjeta's father. Agron is torn between love and duty.

A woman, stressed before an import job interview, goes on a journey of self-discovery through her own subconscious.

California Dreaming explores the unusual town of California City, the third largest city by area in the state of California, though only about 14,000 people live there. Grandiosely conceived in the 1950s as a new metropolis to rival Los Angeles, a mere two hours away, it is now a small town within a much larger ghost town in the desert. The film follows several locals, including Quebec-born blue-collar worker Jean-Paul LeBlanc, and explores how the American Dream has changed over time, drawing parallels between the American Dream of the 1960s, when the city was founded, and the dreams of those living there today.

Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the emotions and thoughts of the Waiãpi as they first encounter their own recorded images and those of others. Viewing news broadcasts and videos of other Brazilian native peoples, the Waiãpi see the power of images to facilitate memory preservation and political awareness. Some people worry, though about the invasive spirits of outsiders that can come through the TV. Another concern is the negative exposure that might result from the Waiãpi broadcasting their own images.

Summertime at the beach. Swimming, yelling, playing, tanning. 25-year-old Marie who came alone to lie in the sun and swim in the sea, loses the bottom half of her bathing suit.

A runaway cat-loving girl begins a love triangle with a reckless older man and a young biker in high school. The film follows their subsequent chaotic relationships.

Short film about family relations.

Wealthy, world-wide business-man Shyam Prasad Bharadwaj would like to get his only daughter, Rittu marry to his business-partner Dev Kumar Malhotra. But what Shyam is unaware of is Dev is not what he claims to be but merely a con-man who is in debt with local gangsters and to worsen matters he plans to do away with the entire Bharadwaj family so that he can embezzle their property and estate.

Mexican feature film

A small town's religious beliefs have pushed them back to the dark ages. Halloween has morphed into a modern-day witch hunt, victims sold like fireworks for the public to dispose of. Prepare for Exodus.

A man must express his true passion of music and rhythm in a world where it is repressed and outlawed.

Actor Yoo Ji-Tae’s directorial debut feature film is one part melodrama, one part comingof-age story about Soo-young, a miserable thirtysomething man and Mai-Ratima, a 22-year-old Thai girl who accepts a mail order marriage in order to realize her Korean Dream. Into their relationship comes Young-jin, a hostess, slowly turning it into a love triangle.

Using their bare hands, married couple Htwe Tin and Thein Shwe draw oil from a pit they drilled themselves on the land next to their house. There are lots of these “artisanal” oilfields dotted around Myanmar, where people have swapped crop cultivation for selling the oil they pump from the ground by hand.

After a stranger murders her brother, Dag sets out on the road to avenge his murder, toting a shotgun and leaving any restraint behind.

When two tough guys leave a bar to fight, their search for the right spot becomes an adventure.