After the closure of US Japanese Internment Camps at the end of World War II, a Japanese American family returns home and must find the strength to rebuild both their house and family amidst the emotional and physical destruction.

This film is the record of a traumatic reaction to the terrorist acts in the Moscow subway of March 29, 2010.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

David McDoll is a selfish and wealthy man living an enviable lifestyle in his large villa and collecting fancy cars. However, his life is about to be changed forever when he inherits his six grandchildren. His glamorous lifestyle quickly becomes complete chaos. But he will learn a valuable lesson that teaches him about placing family first and discovering a newfound appreciation for life.

A worn-out, aging shearer who once rained king of the high country, gets on the gear to keep up his numbers. But when the drugs take over he must learn what it really means to be a man, before he loses so much more than his country pride -- MAN.

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

A team of scientists working on a remote dig site find the buried body of an enormous monster, perfectly preserved even after 200 million years. As soon as the beast is uncovered, however, an alien spacecraft suddenly appears above them and brings the monster back to life! The creature immediately sets about levelling the surrounding urban landscape and shrugging off the best firepower the military can throw at it. A lone scientist, working on decrypting an ancient set of hieroglyphics, may be on the verge of finding the aliens' weak point, but will it be too late?

Crowds is a feature documentary that records popular events of Uruguay where thousands of people gather spontaneously, called by faith, passion, celebration and memory. What happens when we set aside our individuality to act collectively? This documentary observes the passions that draw thousands of people close in order to join in a choral character. It discovers the crowd while it transgresses and experiences catharsis, while it seeks miracles and hopes; in continuous movement it splits and rejoins... until they dissipate and individuals re-emerge in their own solitude.

Daniela and Fouad live in Gubbio, and they both come from the sea: she is from Bari, he is from Casablanca. Their bodies have suffered hardships and alcoholism. They met by chance and a deep and healing friendship was born, which led them to live together. Now that Fouad needs a permit to stay, marriage seems to be the easiest solution. Daniela agrees to it, but as the wedding approaches, the ambiguity of Fouad’s feelings begins to worry her. Can you fake- marry someone who really loves you?

A young boxer with great potential, but suffering from a past concussion, decides to go against the odds and pursue his dreams, even when the stakes may mean everything.

A watershed program in Australian television, The Dream aired every night for the 15 nights of the Sydney Olympic Games. Roy and HG engaged in loosely scripted banter, hilarious athlete interviews, and most famously a reinterpretation of Gymnastics, Greco-Roman Wrestling, Weight-lifting and Diving with their own distinctive commentary style.

Carter Wong stars in this Hong Kong classic as a powerful martial artist who must protect an old man and his daughter from a snake god who possesses deadly kung fu skills.

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.

The old carpenter fulfills his dream of building a boat for his son in one of the coastal villages, and in waiting and anxiety, the son continues the work until the moment the boat descends into the sea to be carried by the waves on his first fishing trip.