Mukhtar is a musically talented individual who is surrounded by bad friends who make him squander his talent. When he falls and marries Annan, she tries to set him on the right path which sets off problems between them. When they get divorced, a repentant Mukhtar tries to get Annan back.

Mahgoub is a villager who moves to Cairo in search of a better life. When he enlists friend Salem's help to find him a job, Salem not only gets him a job at the ministry where he works but he finds him a bride as well. But the bride is the mistress of Qasem Bek, who will be visiting her once a week.

Hiyam, a young factory worker, lives in a lower-middle-class neighbourhood, along with her co-workers. She is clearly under the spell of Salah, the factory's new supervisor. Believing that love can transcend their class differences, Hiyam relentlessly pursues a dream of the pair being together. However, when a pregnancy test is discovered in the factory premises, her immediate family and close friends accuse her of sinning. Hiyam decides not to defend herself and pays an enormous price in a society that fails to accept her.

An inspiring look at how wonderful birth can be when your right to choose how, where and with whom you give birth is respected & protected. Every woman has the right to be informed about their options in childbirth. Through an exploration of home birth, this 87 min film looks at what natural, physiological childbirth really is. Is birth a medical emergency waiting to happen or a profound, natural and physiological event that women are designed for? The most comprehensive film ever made on home birth and a voice of reason in the debate, The Face of Birth outlines the importance of education in birthing and the right of a woman to choose the best and safest birth method for her and her baby.

Forced to take shelter, a father and daughter break into a farmhouse concealing a twisted monster. Set in the 1970s, Infracktion follows two drifters – Laura and her father, John. Trekking across the moorland late into the night, the two seek shelter in a seemingly abandoned farm house. In the gloom of the house, a twisted horror stirs.

A story of two story of two children tossed between their indifferent parents and a progressive boarding school.

The Moon Bird is a dark fairytale about an orphan girl called Teardrop who inherits magical powers from her late parents. A terrible sorceress Experimentia desires the magic for herself and pursues Teardrop for her own evil ends. Teardrop must outwit the sorceress with the help of a magical bird created after one of her tears binds with the moon.

A small town's religious beliefs have pushed them back to the dark ages. Halloween has morphed into a modern-day witch hunt, victims sold like fireworks for the public to dispose of. Prepare for Exodus.

An undercover Army captain links missing gold and murder to a gambler's ghost.

In three symbolic places of a global production, "Spirits I've called" describes the impact of the mining and steel industry on the fragile natural balances and on the health of people living close to the production sites.

A scientific documentary about propaganda and crowd manipulation

Looks at the lives of Chinese people in Japan.

An investigative reporter travels to a small European country with the hope of exposing its dictator's family secrets.

Anna runs a farm in Sardinia. At night she lets go in sensual dances in the village bar and indulges in short-lived adventures. Until one day, the construction of a mega-resort on her land forces her to engage in the biggest battle of her life.

Naan Avanillai 2 (English: I am Not Him) is a 2009 Tamil romantic mystery film directed by Selva. It is the sequel to the Naan Avanillai (2007). Jeevan reprises the lead role, while the female roles are enacted by Sangeetha, Lakshmi Rai, Shweta Menon and Sruthi Prakash and Rachana Maurya. D. Imman, who did the film score for the first part of the film, replaced Vijay Antony as the music director. The film was released on 27 November 2009 to extremely negative reviews

For two decades, Cine Marrocos, a movie theatre in the heart of São Paulo, was one of the most popular and opulent of the city. After it was closed, in 1972, it was occupied by a homeless workers' movement. The documentary tells the story of the people who lived there, alternating scenes from an acting class with those of the movies exhibited there in the past.

Honey and Sweet, a Filipino mother and daughter arrive in Copenhagen, uncertain of what the trip might lead to, but Sweet certainly does not trust her mother's Danish fiance, Fergus.