In this romantic story, a couple (Michel Serrault and Virna Lisi) who have been married for over forty years are forced to separate, one to each of their two children's families, when they can no longer pay the rent on their longtime apartment. Absence, in this case, refreshes their memory of the love they have shared, and they take to meeting one another furtively in hotel rooms for sex and affection. One summer, as each of their daughters families takes them on separate vacations, they have had enough, and elope, finding contentment as lighthouse keepers off the coast of Sicily.

Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

A woman is taking an old elevator up to her new apartment that she has just moved into. The oddly old and ringing phone inside the cabin is freaking her out. Over the line she is told about nightmares that are about to become true.

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

For Yogi, assaults have become a daily routine, so much so that the sight of his latest victim, a heavily injured woman slumped in her car, leaves him untouched. But then he spots her baby on the back seat. Without a second thought, Yogi takes the completely defenseless creature along in a basket. Not even a machine gun pointed at his forehead could have had a stronger impact on his life; he feels threatened and seduced at the same time.

Toji Seryo is a popular first year high school student. It's well known that Toji Seryo will date anyone that confesses their affection for him on a Monday, but he will break up with that person by Sunday. Yuzuru Shino is a third year student at the same high school. He looks pretty, but all of his former girlfriends end up dumping him. Yuzuru Shino becomes curious about Toji Seryo. On a whim, half serious and half joking, Yuzuru Shino asks Toji Seryo to date. The film is based on a comic. Part 1 follows Monday to Thursday. Part 2 follows Friday to Sunday.

Apathy, technology, paranoia, disease and medication. Meet Arin. Arin is a shy videographer who finds it too much to handle to go out and meet girls, so he sets up an account on meester.net. The flood of responses never comes, save for one email from Susan, a struggling artist who finds her job as a waitress stifling her creativity. Susan is also on the shy side and is seeking an alternative to the classic dating situation. When Arin and Susan finally meet, that alternative dating situation comes to life as the two refuse to communicate verbally with each other, wanting to avoid bs small talk.

'Redemption' (2017) submitted to the Quiet Corner Film Festival. In 2017, the film received prizes for Third Place and Audience Favorite at the festival.

Radúz, the son of a Magurian king, has lost his way hunting in the territory of the Tatra King Stojmír. He learns from his loyal servant Radovid the reason behind the two countries' conflict. When Radúz's mother Nyola married his father, the rejected wooer Stojmír married the evil Princess Runa. Runa out of jealousy continually incites hatred for Maguria. Radúz and Radovid have only just crossed the border when an army commanded by Runa detains them. The white deer that Radúz has killed belongs to the youngest of Stojmír's three daughters, the beautiful and delicate Mahulena.

Philippe and Sylvie have to do with Alvarez, a dangerous gang leader. They break up with him and commit robbery and murder. Sylvie suggests that Philippe take refuge in his quiet family. His younger sister Antoinette attracts and charms Philippe and excites the jealousy of Sylvie who informs Alvarez. The police get involved and Philippe is killed during a merciless fight.

Documentary about Hong Kong cinema's influence on the films of Quentin Tarantino.

Peter Brook presents a new interpretation of the classic in a setting is vaguely eastern rather than Scandinavian, with a multi-ethnic cast .