Crossroad is a first -of-its-kind portmanteau movie celebrating womanhood and tells the story of ten women, facing ten different life situations and explores how they tackle it. The movie encompasses ten feature films of fifteen minutes each, with each featuring prominent female artists from Malayalam film industry as the protagonist and is directed by a prominent Malayalam filmmaker. The movie showcases the vibrant facet of each woman and tells the story from her perspective.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.

An orphaned bear cub is adopted by little Emily and her family. They name the cub Masha, raise her and release her back into the wild. Three years go by, and Emily is lost deep in the forest. Cold, frightened and alone in the darkness, she falls and is knocked unconscious. When she awakens, Emily is amazed to see that a brown bear has kept her warm and dry all night by cuddling her. It's Masha – and Emily is overjoyed to be reunited with the bear just when she needs a friend most. Together the two bravely set off on an adventure to find their way home. Bear With Me is a tale the whole family will find as exciting as it is heart-warming . . . and the magnificent forests of the Pacific Northwest lend this story of loyalty, friendship and adventure a magic all its own.

There are eight episodes in stories full of adventure and play in the neighborhood of Limoeiro, with a new car ride, lost treasure, art exhibition in the square, puppet theater, an unexpected escape from Cascão (again?), Characters Saltimbancos and a lot more.

The film highlights the sacred bond with another human being through nuptial rituals and the sanctity of the institution of marriage.

Extraterrestrials contact earth in this delightful fable. Their message is "HELLO" in many languages, and there is a celebration.

Akko and her friends are on summer vacation, and what could be more of a summer event than a beach trip? A festival is occurring around the beach, and while everyone is enjoying the festivities, Taisho and his gang head to a supposedly cursed island. Does Akko have anything to do with it?

I wouldn't answer if I were you' Hello is the story of a young lady who falls prey to an evil killer.. alone in her apartment, eagerly awaiting the return of her boyfriend, the phone rings...

The life and times of George Johnston, photographer and keeper of memories for the Tlingit nation.

Directed by Jordan Blady, One Temporary Escape captures New Zealand band The Naked and Famous live at The Warfield in San Francisco towards the end of their two year "Passive Me, Aggressive You" world tour.

Short western, in which a hotheaded prospector argues with his wife about her housekeeping skills. She decides to leave him, and travels with a passing prospector who offers to accompany her through the mountains. However, when they are attacked by Indians, they are rescued by her husband. Eventualy the husband is killed in a second attack.

At a Gypsy mafia wedding, politicians, businessmen, and the secret police sit down to cut a deal.

LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)

When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.

When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.

This is a newly restored version of documentation of the 1967 group performance Snows, which was built out of Schneemann's outrage and sorrows over the atrocities of the Vietnam War. An ethereal stage environment combining colored light panels, film projection, torn collage, hanging sacks of colored water, "snow," crusted branches, rope, foil and foam was the set and setting in which an audience-activated electronic switching system controlled elements of the performance/installation. Images from film, slide and live action propel silent, ghostly performers to become aggressor and victim, torturer and tortured, lover and beloved, as well as simply themselves in this breakthrough mixed-media film performance. (The film Viet-Flakes is a central element).