Despite being at a respectable job of Village Administrative Officer (VAO), Chinnasamy, an enterprising youngster from an oppressed class has still been called by the upper caste people to perform the death rituals. However, the problem arises when he refrains to perform the last rites for a village elder.

A bank employee encounters a stranger girl inside his car on his way home from work. Little did he know the girl's presence would put his life in trouble.

In the Mouffetard district of Paris, Jérôme Crainquebille, an affable four-season merchant, is stopped by a police officer and taken to the station, unjustly accused of shouting "Mort aux vaches!" ("Death to the cows!"). When he returns to work after a fortnight's detention, he is ostracized by his neighbors. Lonely, Crainquebille sank into despair and alcoholism. His life in prison seemed sweeter, and his attempts to return were in vain. He owes his salvation to the affection of a local kid.

Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the emotions and thoughts of the Waiãpi as they first encounter their own recorded images and those of others. Viewing news broadcasts and videos of other Brazilian native peoples, the Waiãpi see the power of images to facilitate memory preservation and political awareness. Some people worry, though about the invasive spirits of outsiders that can come through the TV. Another concern is the negative exposure that might result from the Waiãpi broadcasting their own images.

A comedy about breaking up enough times to finally move on. This funny and moving short asks how far will someone go to mend a broken heart as it follows a young woman and her unusual way of dealing with a brutal break-up.

A documentary about people in Kenya who are imprisoned by the global flower industry. The dilemmas of the industry become painfully clear and a dark world of oppression, sexual abuse and terrible working conditions unfolds. There is only one conclusion possible: the smell of the imported rose is not sweet, but bitter.

Baroness Kandy Kaye Horn seems like a character drawn out of some warped East Texas fairy-tale, but she's as real as the stars. Her rags-to-riches story is one you can't make up: from homeless at 15 to a millionaire philanthropist; from getting thrown into psych wards to throwin' herself into the Texas gubernatorial race... she's led one helluva life. Call her crazy, but under the larger-than-life exterior, this Texas tornado is a woman with resilience, fierce intelligence, and an enduring love for Momma.

An inspiring look at how wonderful birth can be when your right to choose how, where and with whom you give birth is respected & protected. Every woman has the right to be informed about their options in childbirth. Through an exploration of home birth, this 87 min film looks at what natural, physiological childbirth really is. Is birth a medical emergency waiting to happen or a profound, natural and physiological event that women are designed for? The most comprehensive film ever made on home birth and a voice of reason in the debate, The Face of Birth outlines the importance of education in birthing and the right of a woman to choose the best and safest birth method for her and her baby.

Billy and his pals, on the run from the law again, travel to Sage Valley where Billy is made Sheriff. The local outlaw gang is run by Kansas Ed who closely resembles Billy. Ed captures Billy and changing clothes with him, now plans to run the town as Sheriff.

This elaborate and well-staged silent version of Hertz' play is exceedingly well produced for 1913: it starts off by introducing the actors by name and role, then showing them in double exposure in street clothes and in costumes. The production values are also elaborate and the look of the set designs reminds one of the elaborate backdrops that Melies used in his shots.

Short film about family relations.

Using rare archival footage and interviews with noted artists, philosophers, and scholars such as Huston Smith, this film examines the life and teachings of D.T. Suzuki, the celebrated Japanese religious philosopher who first brought Zen Buddhism to the West. This film explores Suzuki's travels in America, his teachings on satori (enlightenment) and other Buddhist concepts, his influence on Western art and psychology, and more.

The story of the film was adapted from a play of the same name written by well-known writer Girish Karnad. The movie was directed by award winning director T.S. Nagabharana, who is deemed to be one of the ace directors in Kannada film industry. Music was scored by C. Aswath and Srihari L. Khoday produced the movie. The film touches one of the most sensitive issues of marital life. In folk style and form, the film throws open a question as to who is the husband – the person who marries an innocent girl and indulges in self pleasures or the person who gives the real and complete experience of life. G.S.Bhaskar, and his work is a visual thunder in this movie. Especially the night scenes & interior scenes are spellbounded. Bhaskar is a famous technician; he used contrast lighting in this movie, that clearly gave the touch of folk life in every frame.

The Devil is bored. He goes back to Earth with a magic elevator. He surprises two sewer workers, disguises himself as a city man, and spreads improbable events: quarrel with a coachman, altercation with a city sergeant, mystification of a barman, quiproquo with couples… He's trapped in a cage with a young woman, and goes down to hell. Surprise, the young woman is Madame Devil who was disguised by jealousy.

Piotr manages to buy a splendid though dilapidated villa from the eccentric 80-year-old painter Mimi. The woman treats him like her long-lost only son whereas Piotr tries to send her away to old people's home.