People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

Red is the story of three teens in rural Pennsylvania who are torn apart by the closet. James and Lizzy's seemingly normal relationship is shattered by Aaron, the guy James hooked up with and who is unable to bear their secret and confronts James.

A Broadway actress uses her sex appeal to ruin a marriage only to dump her lover for a richer prospect.

When they were young, Min-joo and Seo-yeon cared for each other and were closer than brothers and sisters. However, she accidentally learns about Seo-yeon's tutor, Woo-hyeon, and because of this man, their 10-year friendship starts to become shaky. Meanwhile, Jeong-soo is hurt in seeing Min-joo like that, and so he distanced himself from Min-joo. Because of Min-joo and Seo-yeon's misunderstanding, Jeong-soo who couldn't care much might just leave so Min-joo tries to break up with the help of Seo-yeon. While in the process of breaking up, Min-joo and Seo-yeon went back to their close relationship. The love of women who have been separated because of man, and the two men's friendship is comically drawn.

A group of friends try to defeat an evil king, and meet some quirky characters along the way.

Seo-yeon is being tutored by Woo-hyeon who is younger than her. She grew interested in her tutor, Woo-hyun, the first time she met him, and he is also fond of Seo-yeon. Seo-yeon succeeded in seducing Woo-hyeon with the help of her friend Min-joo. Even if Min-joo is aware of what Seo-yeon feels, she approaches Woo-hyeon. Seo-yeon gets mad at her best friend when she met Woo-hyeon. Min-joo, aware of the fact that it's her faultis also angered by Seo-yeon's appearance and tells her to meet Jeong-soo, her friend. Seo-yeon is also angry and tells Min-joo that she have to meet Jeong-soo as well. A bittersweet story about a man who is a very close friend is just about to start.

When a sudden shortage of water threatens all life in the great valley, The gang of young dinosaur must cooperate with a group of bullies to make a risky journey outside the valley and find the cause.

The partners are back and are in a tight spot! Francois is going through a moral crisis, and Rene is experiencing the same. But, honesty is not always the best policy. After being suspended for their actions, they return to face their far more crooked replacements.

Set in the not so distant future, in Any Town USA, sixteen-years-old Herman Howards makes a fateful decision. He enters his suburban school and kills thirty nine students, two teachers, and a police officer. Just before his arrest, he emails his idol, famous journalist Lax Morales, sending him clips of the shootings captured with Herman's own digital camera. In the clips Herman tells Lax, "I want to tell my story on your show". Lax, haunted by his own past, is now face to face with Herman.

A young alcoholic ambient musician locks himself in his apartment on a dangerous seven day bender as he attempts to finish his upcoming album.

During the holidays of Christmas, three groups of funny characters depart from Italy to spend the Christmas season in New York City.

"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.

"Maine-Ocean" is the name of a train that rides from Paris to Saint-Nazaire (near the ocean). In that train, Dejanira, a Brazilian, has a brush with the two ticket inspectors. Mimi, another traveler and also a lawyer, helps her. The four of them will meet together later and live a few shifted adventures with a strange-speaking sailor (Mimi's client).

Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.

The mega corporation Omni Consumer Products is still bent on creating their pet project, Delta City, to replace the rotting city of Detroit. Unfortunately, the inhabitants of the area have no intention of abandoning their homes simply for desires of the company. To this end, OCP have decided to force them to leave by employing a ruthless mercenary army to attack and harass them. An underground resistance begins and in this fight, RoboCop must decide where his loyalties lie.

In the lawless West, The Cowboys, a notorious brotherhood of killers and thieves, reigned over the land with brutal fists and fast guns. Fate had finally caught up with them and now the merciless gang has but a single surviving member. When a deputized gunslinger takes up the call to hunt down the last Cowboy, the chase is on and the bullets fly, and only one of these hardened men can survive.

A woman and her child are kidnapped by her lover and plans revenge on him.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times