The prodigal son of a respected leader takes on two political rivals and forms bonds with their daughters.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

EVOLVE 89 was an event put on by Evolve which took place on July 9, 2017 at the Marietta Event Hall in Marietta, Georgia.

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.

Artist Eli Shamir paints the view from his studio balcony - fields stretching to the horizon, ancient oak trees, and a generation of farmers that is disappearing from the vistas of the Jezreel Valley. His large oils are treasured by collectors worldwide. It was director Ben Shani's encounter with one of Shamir's works that spawned the idea of documenting the artist at work. Neither of them had any idea that everything would change as the filming progressed, as an unforeseen danger threatened to rob Shamir of his talent. Filmed over the course of ten years, A lullaby for the Valley focuses on the fascinating figure of Eli Shamir and his paintings. As time passes, like the endless fields of the valley, they are transformed before our very eyes.

Marie Berthelius and Roger Narbonne conference call Lars von Trier, Win Wenders, Lone Scherfig, and Jean-Marc Barr and are also linked by digital video. The discussion is about the Dogme 95 film movement and how technological transformations affect cinematic practice.

An orphaned bear cub is adopted by little Emily and her family. They name the cub Masha, raise her and release her back into the wild. Three years go by, and Emily is lost deep in the forest. Cold, frightened and alone in the darkness, she falls and is knocked unconscious. When she awakens, Emily is amazed to see that a brown bear has kept her warm and dry all night by cuddling her. It's Masha – and Emily is overjoyed to be reunited with the bear just when she needs a friend most. Together the two bravely set off on an adventure to find their way home. Bear With Me is a tale the whole family will find as exciting as it is heart-warming . . . and the magnificent forests of the Pacific Northwest lend this story of loyalty, friendship and adventure a magic all its own.

In the distance is seen a number of grey objects rapidly approaching, which, upon drawing closer, are recognized as a company of Boer cavalry. As they draw nearer, you can see that they are straining every nerve and urging their horses to the utmost speed. Waving their sabres aloft on they come, so that the audience involuntarily makes an effort to move from their seats in order to avoid being trampled under the horses.

When a gangster is murdered, the victim's daughter sets out to track down her father's killer. She soon suspects her friend and her own mother may have been involved in the murder plot, in this heavy-handed and tragic crime drama.

When Crystal Wyatt was 16 her father passed away. From that time her life would never be the same. Crystal is banished from the family ranch, and starts a new life as a singer in a San Francisco nightclub.

Mexican feature film

Famed crime photographer Arthur Fellig, nicknamed Mr. Wee Gee, stars as himself in this pseudo-documentary that begins when he falls in love with a store window dummy and tracks "her" to London, England, then meets up with a beautiful ghost in a haunted house and finally winds up in Paris, where he meets other beautiful women and ends up being chased onto the Eiffel Tower.

While visiting the island of Skua, reliable Tim (Richard Claxton) and his blind sister Janey are joined by a waif-like "witch" named Perdita (Sammy Glenn) in an effort to foil a gang of jewel thieves. Patrick Bergin and Peter Firth costar in this fun-filled family adventure.

A documentary telling the story of the newly reformed Take That. Global mega star 'Robbie Williams' rejoins his former band mates for the first time in over 15 years to record Take That's sixth studio album 'Progress'. 'Look Back, Don't Stare' gives a brutally honest account of how Williams return to the group has affected the other four members and shows how the pressures of fame and the relentless power struggle for artistic leadership between Williams and Barlow contributed to the break up of one of the best selling bands of the 90's.

The story of a few untrained construction workers from poor underdeveloped parts of the country, such as Bosnia and Herzegovina or Macedonia, who carry out seasonal work in the highly-developed republic of Slovenia. Far from home, problems arise for the men - with their families, alcohol, the local population's derision and the "real Slovenian workers".