This collection of Celine’s best performances from the biggest shows includes all her most famous hits and moments, from the 1988 Eurovision performance that first introduced her to British audiences to the Oscar-winning soundtrack smashes she enjoyed with Beauty and the Beast and, of course, Titanic’s My Heart Will Go On.

The first rule is that there are no rules. For the bare-knuckle combatants competing in Musangwe fights, anything goes - you can even put a curse on him. The sport, which dates back centuries, has become a South African institution. Any male from the age of nine to ninety can compete. We follow a group of fighters as they slug it out in the ring. Who will be this year's champion?

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

Set in the 1800s, the film is about a "dacoit" tribe who take charge in fight for their rights and independence against the British.

An old Finnish athlete travels alone through eastern Europe with his van.

A man lurks the night alleys, killing people at random, he feels nothing, no emotion, and no pain; when he meets a graceful widow he must confront what it means to be human.

Spider-man must rescue the beautiful daughter of the evil Dr. Lightning.

Triller Fight Club presents Triad Combat on Saturday, November 27 at Globe Life Stadium, in Arlington, TX with a the main card featuring former champion Frank Mir competing against Kubrat Pulev in the Heavyweight Division and a special live Heavy Metal Concert by Metallica.

A short story of nylon-based life.

The movie is absurd, and a thoroughly original take on the morale in Japanese society. The images are beautiful, and the people are as cold as the snow that surrounds them. The take on Melville's "Samoraï" from -67 is obvious, but Kobayashi turns the image around and portrays the killer as the weakest person in the movie - haunted by his demanding wife and the moaning contractor, who is one of the most mysterious characters ever portrayed in a movie.

Four women are waiting for the blue circle and a possible change of their lives.

In 1913 a family of traveling musicians goes to the house of a rich marquise. Lolita, daughter of one of the musicians, encounters the son of the wealthy lady.

Four people decide to travel to Hunza, Pakistan to find paradise. Kentaro Tooma works as head of sales for a camera company. One of his clients is Jujo Togashi who owns the shop Camera Togashi. The two men are friends and become captivated by a picture with only a chair sitting in a field of grass. Kentaro and Jujo know of a 4-year-old boy Keisuke through Kentaro's eldest daughter. 4-year-old Keisuke is traumatized from being abused by his mother. Kishiko Shinohara is the owner of an antique shop. Kentaro Tooma has feelings for her.

End of an Era is a BluRay, DVD and double CD from the Finnish symphonic metal Nightwish. Recorded at the Hartwall Areena in Helsinki, Finland on October 21st. 2005, the final concert of a long worldwide tour for their album Once. During the concert the band was joined on-stage by John Two-Hawks, who performed "Stone People" from his album Honor as an introduction to "Creek Mary's Blood", which featured his voice and cedar flutes. End of an Era is the final Nightwish production to feature Tarja Turunen. She and the rest of the band parted mere hours after this concert. Set-List: 1. Dark Chest of Wonders / 2. Planet Hell / 3. Ever Dream / 4. The Kinslayer / 5. The Phantom of the Opera / 6. The Siren / 7. Sleeping Sun / 8. High Hopes / 9. Bless the Child / 10. Wishmaster / 11. Slaying the Dreamer / 12. Kuolema tekee taiteilijan /13. Nemo / 14. Ghost Love Score / 15. Stone People / 16. Creek Mary's Blood / 17. Over the Hills and Far Away / 18. Wish I Had an Angel.

Police detective Heiji is assigned to catch the masked Maboroshi gang of robbers who have terrorized all of Edo leaving few clues as to who their leader is.

Self shots are the optical Biographie of an unorthodox film producer. Director, cameraman and actor in a person, he directs the camera against itself. It plays with her, throws her into air, races over the meadows, films its movements, his face and his hands and demonstrates thereby its adventurous relationship to a 16 mm camera. Not an action thus, but filming becomes the action. The Godard' Bonmot of filming as ' truth 24 times in the second ' made Mommartz in his films conscious like hardly another. (Wilfried Reichart Kölner Stadtanz 4.1.68)