Swans, peacocks, ducks, and more birds dance.

Goofy plays everyman again. He's an average working joe who demonstrates "the up on time/work on time/bed on time" routine while going from work to home every weekday. On Saturday night, however, he parties it up and attempts to get some rest the next Sunday but with his son around, it's impossible. He insists Dad take him to the beach and, although Goofy refuses, he ends up going anyway where he gets into all sorts of trouble mainly as the result of chasing his son all over the place. Worse yet, when he leaves, he falls victim to the world's biggest traffic jam. As a result of all this, he is relieved to go back to work the following week!

Kim Marsden inherits a cattle station near Alice Springs after the death of her father. Kim becomes convinced her father was murdered. She sends for a legendary local bushman called the Sundowner, who was one of her father's best friends.

Street vendors in Korea are almost like a national institution, they are so widespread and relied upon. In Little Pond in Main Street a group of vendors band together to create a community radio station but come into conflict with other groups, as well as the government trying to shut them down.

Following two Water Australia employees who travel out along the Nullarbor Plain only to discover they are being hunted by the mythological creature, the Nullarbor Nymph.

A former alcoholic returns home after ten years in prison for the murder of her husband. As her recollection of the murder returns, things take a different turn.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

A man taking the train to work one morning is overcome by melancholy memories and morbid fantasies.

A White Trash right wing extremist militia’s (unintentionally hilarious) home movies.

A filmed manifesto about our trans bodies, their beauty, their glory and their ability to evolve with us along the way.

Balding advertising executive Mr. Baum spends more time on a new ad campaign for purple sunglasses than he does with his own family. But suddenly he is forced to reexamine his life after a doctor tells him that he has an 'aggressive' brain tumor and will die in 90 minutes.

On the run and presumed dead by the authorities, David Banner, using the name 'Benton', continues in his efforts to find a cure. He accidentally finds himself in the middle of a plot to kill a young, crippled girl so her unscrupulous relatives can inherit the family fortune.

Brent Weinbach is weird. In this show, Brent attempts to adjust his quirky personality so that he can fit in with the world around him, which would be valuable to his career as a comedian and entertainer. Through an absurd and abstract discourse, Brent explores the ways in which he can appeal to a broader, mainstream audience, so that ultimately, he can become successful in show business.

8mm work directed by Norihiko Morinaga.

In a forest of western Ourania, three young warriors are searching for a young girl who was abducted by a bandit.

In Handel's day this best-loved of all oratorios was performed by fewer than forty instrumentalists and a chorus, less than thirty strong, of boy trebles and men. That is the tradition to which Christopher Hogwood has returned in his performances with the Academy of Ancient Music. Members of the Academy all play instruments of the period or accurate modern copies. In this recording the choruses are sung by boy trebles and male altos, tenors and basses, members of the Choir of Westminster Abbey. The soloists improvise embellishments in the arias and, in certain cases, join in the singing of the choruses, just as they would have done 240 years ago. The recording takes full advantage not only of Westminster Abbey's fine acoustic qualities, but also of the incomparable architectural splendor of the surroundings.