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Elementa
0h 43m
2020
HD
A black-and-white visual meditation of wilderness and the elements. Wildlife filmmaker Richard Sidey returns to the triptych format for a cinematic experience like no other.
Genres
Documentary
Casts
Directors
Richard Sidey
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2015
Speechless: The Polar Realm
7/3
Beautifully filmed by New Zealand nature photographer Richard Sidey over the past decade around the polar regions, Speechless: The Polar Realm is a visual meditation of light, life, loss and wonder at the ends of the globe. This is the second film in Sidey’s non-verbal trilogy which is comprised of: - Landscapes at the World’s Ends (2010) - Speechless: The Polar Realm (2015) - Elementa (2020)
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Speechless: The Polar Realm
2020
Spellbound
0/0
Wingsuit BASE jumping is often presented as a thrill seeking adrenaline rush. Spellbound takes us deeper into the more contemplative aspects of jumping, as David Walden and friends venture into the mountains around his home in New Zealand. Beautiful scenery and hypnotic cinematography eject us from our daily lives into a world of air, earth and flight.
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Spellbound
2002
Ghost Office
4/3
A collection of three short stories about supernatural activities at the workplace.
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Ghost Office
2010
Landscapes at the World's Ends
6/2
A non-verbal visual journey to the polar regions of our planet portrayed through a triptych montage of photography and video. Landscapes at the World's Ends is a multi-dimensional canvas of imagery recorded above the Arctic Circle and below the Antarctic Convergence, viewed through the lens of whom is realistically an alien in this environment, the polar tourist. Filmed during several artist residencies on-board three expedition vessels, New Zealand nature photographer and filmmaker Richard Sidey documents light and time in an effort to share his experiences and the beauty that exists over the frozen seas. Set to an ambient score by Norwegian Arctic based musician, Boreal Taiga, this experimental documentary transports us to the islands of South Georgia, the Antarctic Peninsula, Greenland and Svalbard. Landscapes at the World's Ends is the first film in Sidey's Speechless trilogy, and is followed by Speechless: The Polar Realm (2015) and Elementa (2020).
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Landscapes at the World's Ends
2020
39-45 : Les Cheminots dans la résistance
7/1
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39-45 : Les Cheminots dans la résistance
1968
Killer Without a Face
4/2
A woman is chased onto the ramparts of a castle by a gun-toting figure. She stumbles and falls to her death. Barbara, the mentally unbalanced owner of the castle, is the main suspect. However, there is no proof against her and the murders continued. But not everything is quite as it seems. The film is set in the Balsorano Castle and is shot in expressionistic black-and-white.
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Killer Without a Face
2008
Planet Heroes - Slingshot
10/1
The Planet Heroes must stop Professor Darkness from destroying the solar system.
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Planet Heroes - Slingshot
2023
NOSTOS
7/1
Nostos is the tale of a farewell. A gradual journey towards oblivion, with nostalgia as a constant companion. Primarily, it is a voyage through memory, navigating through its inaccuracies and simultaneities. It unfolds with idealizations and disappointments, encapsulating its virtues and afflictions.
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NOSTOS
2004
May God Forgive Me
5/1
This video is made up of television footage recorded between 2001 and 2004. A large part of the imagery was collected during a residence where participants were invited to record their channel-hopping of television stations from all over the world. A hadith – a narration brought from the prophet Muhammad - concerning women, provides the thread: “the first look at a woman is for you, the second is for the devil, the third is a crime”. (MF)
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May God Forgive Me
1935
Love and Hate
5/4
A group of Ukrainian women are forced to work in the mine under the supervision of cruel enemy soldiers. When the soldiers are forced to retreat and decide to blow up the mine, the women organize a guerrilla action to stop them.
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Love and Hate
2013
The Cure
10/1
David suffers from unbearable migraines. Will he find the cure?
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The Cure
2012
Come for You
5/1
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Come for You
1931
The Skulls
6/7
This Spanish language film was produced simultaneously with the filming of the two English language Laurel and Hardy shorts Be Big! and Laughing Gravy. The two shorts were edited together into one continuous film. Laurel and Hardy read their lines from cue cards on which Spanish was written phonetically. At the time of early talkies, dubbing was not yet perfected.
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The Skulls
1956
Historia de un marido infiel
5/2
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Historia de un marido infiel
1965
The Radish and the Carrot
10/1
One day a company executive learns that his younger brother, whom he recommended, embezzled company funds. To save the situation he withdraws his life savings and gives money to his younger brother. He then suddenly disappears…
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The Radish and the Carrot
1969
Scenes from Under Childhood, Section Three
5/2
Section Ill is the most abstract section of the four, and the only one which does not contain old photographic material. The means used in previous sections to achieve abstraction and transformation of the realistic image are here employed in the extreme so that texture, color, and shape predominate. We can recognize some realistic images, such as shots of the family walking in the woods, or the children reading comics and riding in a car, but the overall impression given by this section is one of abstraction. (Artforum)
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Scenes from Under Childhood, Section Three
2015
Cat A Wabb
6/6
An assistant commercial director gets a big break when he has a chance to direct a commercial with a cat. But when a student trainee loses the cat, everything falls apart very quickly.
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Cat A Wabb
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