A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.

This film is the record of a traumatic reaction to the terrorist acts in the Moscow subway of March 29, 2010.

At the end of September 1941, Soviet artillery troops in besieged Leningrad realize that pretty soon they will fire their last shot, and after that the defense of the city will be doomed. The film is based on a true event: a small group of fearless soldiers transported a large supply of gunpowder through enemy lines to Leningrad.

Mounting of the film by Dmitry Frolov on the basis of documentary frames of performances of Russian ballet dancers and lifeless margins of the Russian outback. Symbolizes the slowly naked and dying Russian world.

About the journey of a father and daughter as they face obstacles and reach success, with the help of those who come to support them. It showcases the strong bond between a father and daughter and highlights the power of perseverance and support from others. The film is expected to be heartwarming and inspiring, appealing to audiences of all ages.

A story about two teenagers and their life during WWII in Urals district of Russia.

This black comedy answers the question that has obsessed America and the world since November 08, 2016. How did Donald Trump become President of the United States?

Contracampos is the attempt to (re)build a landscape. A recreational area and a shooting range in the west of Asturies, which, between 1937 and 1943, housed a Francoist concentration camp through which thousands of Republicans passed – firstly militiamen, later guerrillas and their relatives. Sharing a leisurely observation with the viewer, the film intends to resignify that space, giving it back its political meaning. But it is not a question of showing –of filming– the invisible, but rather of showing what is missing in what exists today. What was and is no longer, not even in people's memories.

Adolf Hitler the fighting man is the subject of this engrossing feature, chronicling the future dictator’s combat experience as a foot soldier in World War I. Excerpts from Hitler’s letters from the front, recollections of regimental comrades, and evaluations by his officers offer a revealing portrait of a brooding, fearless loner who preferred battlefields to brothels, frontline service to home leave, and kept the men he frequently risked his life to protect at arm’s length. In a world of death, hardship, and discipline, Hitler sought comfort in the companionship of his English terrier, and in sketches and watercolors he rendered during lulls. It speculates on the influence wartime service exercised on his personal and political development, filling a critical gap for any sincere appraisal of Hitler’s psyche, motives, and subsequent actions.

A woman becomes increasingly aware of her fractured past as a corrupt organization closes in.

Some months before the outbreak of the Greek Civil War three outlaws struggle for survival in the mountains. Directed by Nikos Koundouros.