After a rough night out protesting in the city, Kosta and Maja fall in the hands of the police. Their lives will change forever.

Somewhere on the coast of the Bering Sea, a father and son make a living fishing in a community that seems almost outside of time. Aliaksandr Tsymbaliuk’s camera takes us in close to the subjects, recording both the harshness of their condition and the rigour of education, softened by paternal love and the universal insouciance of childhood.

The plot revolves around IPS Officer Ronojoy Bose, who wants to arrest Aditya Sen, an affluent scientist and son of minister of health who uses secret illegal medical practices for profit.

“Luxury, luxury, luxury… and not to be so alone.” Vanessa wants to spend her holiday at a comfortable resort. However, due to a booking error at the travel agents, Vanessa ends up on a barren desert island. The next ship doesn’t arrive for another week, so until then she has to cope with oddball lighthouse keeper Stanislav, and the highly unconventional and nonchalant Sebastian, who also has a right to the only shabby guest room. There’s no escape from this island – and the three gradually get to know each other over schnapps and pie. When a further guest arrives in the form of dubious businessman Felix and a body turns up in Stanislav’s cellar, the insular resort becomes the backdrop for a grotesque fight for life. In his debut feature, Matthias J. Michel cleverly repels various genre and character clichés to create an exceptional black comedy.

Between fiction and documentary, this film shows a portrait of the persona of a transsexual that goes far beyond simplistic voyeurism. The film offers a respectful image of masculine sexuality, with a character ahead of its time, through the telling of Betty about his childhood, daily life, pleasure, self-esteem and social marginalization.

Gina Skylar, the reigning queen of horror, lures Jake Bubar, her number one fan, into the decadent world of illusions and myths in order to find her producer's stolen film footage.

Rue du retrait is a film which is quite unique to René Féret for various reasons.Firstly,it is a film which he shot in his own area,near his own house.Rue de retrait is the name of the street in 20th arrondissement in Paris where Mr.Féret stays.So in a way the location afforded a lot of familiarity in terms of location to the cinéaste. Secondly,the making of this film will always remain a miracle of sorts for René Féret as no big production house was willing to finance such a brave,absolutely uncommon film in France.So this film was finally made due to René Féret's personal intervention and highly individual efforts. Its visual style was applauded by a great French filmmaker named Bertrand Tavernier who has long been one of René Féret's admirers.

Psychothriller by facts. A lightly labile journalist (Felicitas Woll) wants to explore the motives of a women murderer (Heiner Lauterbach). When he was arrested, Johannes Heintz (Lauterbach) confessed that he had strangled seven women. He will not say more. "The people outside have me as a monster. I will not give them satisfaction. "From now on, neither the investigator Uwe Wolfmann (Jürgen Prochnow) nor the most skilled psychiatrists come to him. The stubborn journalist Dana Herrendobler (Woll) comes to the scene. She wants to interview the murderer, the causes and background of his deeds. Nervously, she faces the perpetrator and is astonished: Heintz is charming, intelligent and sensitive. He agrees to speak openly with the reporter - when Dana opens to him as well. If that works out? Because Dana is hunted by his own demons ...

Is the story of women that were guerrilleras in Uruguay at the beginning of the 70's. Under an intimate focus, the film shows the moments of decision and the personal crossroads that it involve. The documentary search the experience and the look of common individuals in exceptional situations and goes to the bottom of the load of tensions, fears, contradictions and personal costs that those labor instants of the History have.

Жизнь шестидесятилетнего Николая Фролова — словно два берега реки под названием "прошлое" и "настоящее". В прошлом остались долгие годы счастливого супружества, работа, которой отдано полжизни, уважение окружающих… Его настоящее ночевки в подвале жилого дома, безденежье, голод и прочие "прелести" жизни человека без определенного места жительства. Между ними — срок по "тяжелой" статье и бесконечное одиночество… Судьба обошлась с ним несправедливо, но он терпеливо дожидался своей награды… Иногда капризы судьбы жестоки, они в один миг могут выбросить из прежней размеренной жизни без права на возвращение.

Based on fact, this is the story of the struggles of Japanese immigrants who traveled to and settled in Brazil looking for a better life.

A documentary about squatting in London.

A man who is down on his luck, finds a second shot at life when he buys himself a magical refrigerator.

Alfalfa and our gang try to win fifty dollars on a radio contest.

Jimmy O'Meara loves his daughter more than anything in the world. But when his ex-wife gets involved with a man who's involved with criminals, his world is turned upside down. They have entered the Witness Protection Program and the government attorney who is in charge of the program is being highly uncooperative with Mr. O'Meara's request that he be granted access to his daughter. This starts an intense legal battle.

Documentary about the making of John Carpenter's sci-fi horror movie, Ghosts of Mars.