Several little boys run along a pier, then jump into the ocean.

High society sleuths Nick and Nora Charles run into a variety of shady characters while investigating a race-track murder.

Capricious small-town girl Juliette and barge captain Jean marry after a whirlwind courtship, and she comes to live aboard his boat, L'Atalante. As they make their way down the Seine, Jean grows weary of Juliette's flirtations with his all-male crew, and Juliette longs to escape the monotony of the boat and experience the excitement of a big city. When she steals away to Paris by herself, her husband begins to think their marriage was a mistake.

Hanging out with friends, smoking a lot, spinning bottles and kissing, making mistakes, playing, refusing to accept, dreaming with open eyes - life as a teenager can be overwhelmingly beautiful and difficult at the same time. In her debut, the Ukrainian director composes a deeply emotional and multi-layered portrait of a generation whilst seamlessly flowing between the fictional and the documental.

Happy and accomplished, Ellias becomes the new artistic director of a famous French Haute Couture house. When he learns that his father, whom he has not seen for many years, has just died of a heart attack, Ellias goes to Quebec to settle the estate. The young creator will discover that he has inherited much worse than his father's fragile heart.

Lynch's first film project consists of a loop of six people vomiting projected on to a special sculptured screen featuring twisted three-dimensional faces.

In 1914, with Italy on the cusp of joining World War I, a group of foreign artists establishes a commune on the rural island of Capri, catching the attention of young Lucia, a local illiterate shepherdess who soon falls under their spell.

Set in the future: Two men learn that a mysterious winged girl has been taken prisoner, and then decide that they must free her at any cost.

A madman haunted by the ghost of his ex-wife carves a corpse-laden trail.

Donya, a lonely Afghan refugee and former translator, spends her twenties drifting through a meager existence in Fremont, California. Shuttling between her job writing fortunes for a fortune cookie factory and sessions with her eccentric therapist, Donya suffers from insomnia and survivor's guilt over those still left behind in Kabul as she desperately searches for love.

Hercules and Iolaus take time out from Iolaus' wedding preparations, to help a distant village under attack from "monsters". When they reach their destination, they find the monsters are in fact Amazonian women who are controlled by Hera. "Hercules and the Amazon Women" is the first movie-length pilot episode of the television series "Hercules: The Legendary Journeys".

A construction film collected from archival footage of the twenties and thirties of the last century, preserving memories of the construction of a new life and way of life: the launch of the metro, hard work in production, cultural life and recreation. By combining two parallel stories - the state film chronicle and diary entries - an attempt is made to revise historical archives and customary knowledge about time. The collective image of a hero from the crowd is brought to the fore.

Brent Weinbach is weird. In this show, Brent attempts to adjust his quirky personality so that he can fit in with the world around him, which would be valuable to his career as a comedian and entertainer. Through an absurd and abstract discourse, Brent explores the ways in which he can appeal to a broader, mainstream audience, so that ultimately, he can become successful in show business.

Carol White, a Los Angeles housewife in the late 1980s, comes down with a debilitating illness with no clear diagnosis.

America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell. This new staging of Tony Kushner's multi-award winning two-part play, Angels In America: A Gay Fantasia On National Themes, is directed by Olivier and Tony award winning director Marianne Elliott.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Beautiful young manicurist Carole suffers from androphobia (the pathological fear of interaction with men). When her sister and roommate, Helen, leaves their London flat to go on an Italian holiday with her married boyfriend, Carole withdraws into her apartment. She begins to experience frightful hallucinations, her fear gradually mutating into madness.

Late 19th century in Alexandria. Two traditionally rival Turkish families, "Seferoglu"s and "Tellioglu"s are competing for the "Green Valley". The winner will be determined by Daver Bey, who has a beautiful young daughter, Leyla. Both families try to arrange a marriage between a man from their family and Leyla, so that Daver Bey will be inclined to give the green valley to his "relatives". Tellioglus, who are behind in the race, desperately find a final solution: They will fake their idiotic butler, Saban, as the highest ranked Ottoman soldier in Egypt: Tosun Pasha.

A young woman leaves the city to return to her hometown in the countryside. Seeking to escape the hustle and bustle of the city, she becomes self-sufficient in a bid to reconnect with nature.

Dr. Bonner plans to live forever through periodic gland transplants from younger, healthier human victims. Bonner looks about 40; he's really 104 years old. But people are starting to get suspicious, and he may not make 200.