A 28-year-old single woman is pressured to marry.

Shuhei Hirayama is a widower with a 24-year-old daughter. Gradually, he comes to realize that she should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.

Rosa, the self-serving wife of a small-town doctor, gets a better offer when a wealthy big-city man insists she get a divorce and marry him instead. Soon she demonstrates she is capable of rather deplorable acts -- including murder.

Shanghai gangsters grapple with lust and loyalty on the eve of war with Japan as they try to navigate an alliance with the enemy's army.

The eldest daughter of a rural family Mon returns home from Tokyo pregnant after an affair with a college student Kobata, which causes a scandal that will threaten the marriage prospects of the younger sister San, in her cash-strapped family. The ill-tempered eldest brother Inokichi decides to take on the role of disciplinarian, with harrowing results.

Kohei has suffered from hearing loss since middle school and had trouble fitting in with those around him. Now a university student, Kohei meets the outgoing Taichi in the university courtyard. Their friendship becomes one in which they can say whatever is on their minds, but Kohei, who has grown used to keeping people from getting too close, now faces escalating expectations and anxiety the stronger his bonds with Taichi becomes.

Naoki once had it all - the fast car, the executive home. Boss of his own business he lived the good-life when Japan's economy was at it's height. Then the bubble burst - and he met Yoshie.

AKA Serial Killer documents the social upheaval and political oppression that roiled Japan in the 1960s, profiling a nineteen-year-old serial killer Norio Nagayama. An indictment of media sensationalism, the film humanizes the young man by situating his crimes in the larger context of his environment.

A colorblind high school student aspires to be a pilot.

A filmed version of Aaron Copland's most famous ballet, with its original star, who also choreographed.

Pasquale and Maria, husband and wife, live in a palace supposedly haunted by ghosts and pay no rent. When Pasquale finds some food in the cupboard he thinks the ghosts are at work.

In Edo Period Japan, a noblewoman's banishment for her love affair with a lowly page signals the beginning of her inexorable fall.

Five stories center on a werewolf, a feudal landlord, peasants, a ghost, and a mother and her sons.

A silk factory worker is persuaded to support her son's education up to a college level despite their poverty. Many years later, she travels to Tokyo to visit her son.

The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, Koichi, a doctor, and their daughter, Shige, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko, the widow of their younger son who was killed in the war, to keep her in-laws company.

Two young brothers become the leaders of a gang of kids in their neighborhood. Ozu's charming film is a social satire that draws from the antics of childhood as well as the tragedy of maturity.

Three Italian retirees embark on a journey to find a new country to live in.

Follow a small group of elderly “Peeping Toms” through the shadows and margins of an unfamiliar world. Crudely documented by the participants themselves, we follow the debased and shocking actions of a group of true sociopaths the likes of which have never been seen before. Inhabiting a world of broken dreams and beyond the limits of morality, they crash against a torn and frayed America.

In Paris at night, a young aspiring filmmaker grapples with heartbreak after his girlfriend leaves him for his best friend. After a failed attempt to confront his friend, he wanders the streets and encounters a girl who has just been abandoned. Their paths cross at a party, bringing together two tormented souls.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.