A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

A young man Danesh learns of ancient relics, including a ruby that once a year can help find treasure in the Canyon of Scorpio. As the old man holding the knowledge passes away, Danesh receives the ruby and a map, setting out for an adventure full of mystery and danger, friend and foe, set under the dazzling southern sun.

Bob James made his name in fusion and smooth jazz, but some of us believe the pianist’s acoustic trio records represent his highest art. His 1996 album Straight Up, with bassist Christian McBride and drummer Brian Blade, and 2004’s Take It from the Top, with bassist James Genus and drummer Billy Kilson, are career highlights and gems of their genre. Those records will never escape the shadow of 1978’s Touchdown or 1975’s One, but now James gives us the best of both worlds, revisiting his biggest hits in a trio format and tossing in other tunes. Despite its title, Feel Like Making LIVE! isn’t a concert recording. It was recorded “live in the studio” with old pal Kilson and young bassist Michael Palazzolo, who’s been in James’ bands for several years now. Rather than swing like a bop trio, they play classy, R&B- and pop-tinged jazz that’s both accessible and adventurous.

This is a newly restored version of documentation of the 1967 group performance Snows, which was built out of Schneemann's outrage and sorrows over the atrocities of the Vietnam War. An ethereal stage environment combining colored light panels, film projection, torn collage, hanging sacks of colored water, "snow," crusted branches, rope, foil and foam was the set and setting in which an audience-activated electronic switching system controlled elements of the performance/installation. Images from film, slide and live action propel silent, ghostly performers to become aggressor and victim, torturer and tortured, lover and beloved, as well as simply themselves in this breakthrough mixed-media film performance. (The film Viet-Flakes is a central element).

The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..

Three young men trying to find a place in society after the war.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

With an introduction by Gregory Peck, Audrey Hepburn recounts her love of children and her work with UNICEF as a Goodwill Ambassador.

Maria cannot stand her husbands jealousy any more. He treats her in a violent way, a proof of their relation is going through a crisis. A trip they were planning to take together aiming at the amelioration of their relationship, confronts them with sex, violence and a deadly secret. Giannis appears in Marias life and they soon become lovers. The boundaries between freedom and jealousy are hardly

Kathy Najimy and Mo Gaffney bring their award-winning Off-Broadway show to the screen, an evening of boundless humor that reexamines the ongoing quest to find parity and love in a contest handicapped by capricious gods—or in this case, goddesses.

A widower with four grown daughters remarries and brings his new wife home to meet them. The girls set out to make life as difficult as possible for their new mother.

Van is a homeless young man, living in a car park. When he encounters a free-spirited Carla, he senses the opportunity for friendship and connection. Des is homeless as well but faces different issues: a pregnant girlfriend and trouble with a neighbourhood gangster. Tommy is a junkie trying get his life on track and get a job after personal tragedy. These three young men endure an impoverished existence in Southwest Sydney, Australia.

A fussy shopkeeper's life drastically changes when his wife takes in two homeless boys.

Branded a coward for abandoning his ship full of 300 passengers, Captain Vijay Pal Singh takes up work in a distant coal mine, poorly equipped, with no sufficient medical supplies or proper facilities. When the miners and their families face a catastrophe, as water has forced its way into one of the mining tunnels, endangering 400 lives, will Vijay be able to rise to the occasion or will he 'abandon ship' again?