Tiffani attempts to help her geeky but very cute friend Casey find true love - or at least a sexy hunk. Taken under Tiffani’s wing, Casey pretends to be Ryan, Tiffani's hot, straight, stripper ex-boyfriend, in order to seduce the smoldering Zack online, which works, until the real Ryan shows up!

Cord Hosenbeck and Tish Cattigan return for their annual round of live Rose Parade coverage. Cord Hosenbeck and Tish Cattigan are no strangers to the iconic New Year’s tradition of the Rose Parade, having covered the event for the past twenty-six years. After a whirlwind year that included traveling abroad to cover the Royal Wedding, the duo are more excited than ever to return to Pasadena. The esteemed Tim Meadows will also return for the festivities.

After the closure of a lace factory in Calais, Andrée, Lulu and Solange are out on the street.

A guy locked in a room with no way out. He does not remember anything about himself, his fate is uncertain, but, the most important thing is the reason why this is happening.

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

Gwen has just discovered, that she's the final member of the secret time-traveling Circle of Twelve. Now she has to juggle with constant trips to the past, her relationships with Gideon and figuring out dark secrets surrounding the Circle.

Toji Seryo is a popular first year high school student. It's well known that Toji Seryo will date anyone that confesses their affection for him on a Monday, but he will break up with that person by Sunday. Yuzuru Shino is a third year student at the same high school. He looks pretty, but all of his former girlfriends end up dumping him. Yuzuru Shino becomes curious about Toji Seryo. On a whim, half serious and half joking, Yuzuru Shino asks Toji Seryo to date. The film is based on a comic. Part 1 follows Monday to Thursday. Part 2 follows Friday to Sunday.

The Isle of Koumi, a beautiful island in the Pacific Ocean. On the island, people pass an old legend down from generation to generation that there was the Seabed Palace, an ancient ruin at the bottom of the sea, where the treasure of female pirates Anne Bonny and Mary Reed was left. When Conan and his friends visit Koumi while on vacation, they meet some suspicious treasure hunters.

Soon after her latest husband death, the King himself (Louis XIV) meets with our heroine and begs her to help convince the Persian Ambassador to agree to a treaty. However, what they didn't realize was that the handsome Persian was in fact a sexual sadist. So, it is up to the King's half- brother, some Hungarian prince, to save Angélique from the evil troll's clutches.

Vickie, short for Victoria, is crowned Queen of England and as such needs to learn the responsibilities of her new post.

8mm work directed by Norihiko Morinaga.

Emerald Green is the stunning conclusion to Kerstin Gier's Ruby Red Trilogy, picking up where Sapphire Blue left off, reaching new heights of intrigue and romance as Gwen finally uncovers the secrets of the time-traveling society and learns her fate.

To prove a point about measuring up and fitting in, Texas teen Willowdean “Dumplin’” Dickson enters a local pageant run by her ex-beauty queen mom.

A young couples lives are turned upside down when the birth of their first child is accompanied by terrifying entities that threaten their newly formed family.

In the second episode of the trilogy Fantômas kidnaps distinguished scientist professor Marchand with the aim to develop a super weapon that will enable him to menace the world. Fantômas is also planning to abduct a second scientist, professor Lefebvre.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

Three fathers who are also brothers-in-law make a pact to save their daughters from their boyfriends.