When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

This poignant human drama is phrased as a "small sonata" in three movements -- a novel approach by director and writer Micheline Lactôt to tell the story of two teenage girls. In the first movement, Chantal (Pascale Bussieres) rides the same bus every day and slowly develops an infatuation with the bus driver. Their interactions are expressed through gestures and glances and facial expressions, but not words. Just as Chantal is getting old enough, and maybe courageous enough to actually say something to the driver, fate steps in and she loses her chance. In the second movement, Louisette (Marcia Pilote) hides out on a fishing boat and is discovered by a Bulgarian fisherman who treats her with kindness and consideration and they spend a special evening together -- without being able to speak a word in the other's language. In the third movement, Chantal and Louisette become friends, and as kindred spirits they share a sense of loss and hopelessness.

Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.

Hilarity abounds in this portrait of three couples successively occupying a suite at the Plaza.

Deciding whether to have a child is an emotionally fraught and deeply personal process. Deciding amid increasingly dire warnings about the climate makes it even more paralyzing. The Climate Baby Dilemma is a documentary charting the growing number of young people either refusing to bring a child into an increasingly unstable world or struggling with the ethics of whether they should or not. As the conversation about intimacy and climate change heats up, we meet activists, journalists, parents and prospective parents, ethicists and scientists to unpack this growing trend.

Feature version of The Lost City (1920), a fifteen episode serial.

Documentary by Ali al ghazouli

There are only four outdoor phone booths left in all of New York City—this is a late night conversation with one of them.

Paris d-moll [Paris D Minor] is an impressionistic city symphony with everyday scenes from Paris, reminiscing of the works of Joris Ivens and Walter Ruttmann.

Garry Fraser was born into a family of poverty, violence and alcohol addiction on Edinburgh's notorious Muirhouse estate, the same place that inspired the world-acclaimed film, Trainspotting. In this documentary, filmmaker Garry Fraser takes us to the heart of the poor, marginalized community he grew up in. Garry faces up to the damage done by his life of crime, violence and drugs as he works to ensure that his three children have something he never had: a loving, supportive family. Garry found his path out of addiction through poetry and film-making.

Lilian, daughter of an English millionaire threatens her father that she will marry the first shady character turning up around her and will sing in bars just because her father wants her to marry someone whom she does not love.

Demon is the bloodiest love story of all. Set in Victorian London it tells the tale of Lorcan a young handsome man cursed by love that transforms him into a blood-thirsty demon.

Gerda meets Little Robber Girl in the Berlin subway. There’s only ten, twelve hours until they’ll part ways. The mutual interest turns into love affair and all that ends in the morning. But still there’s a sea of the city to float by night.

Story contains the confessions of couples who are not able to express their feelings due to their closeness.

The Royal Shakespeare Company act (and sing and dance!) Shakespeare's play about two sets of identical twins, separated at birth and brought together by circumstance.

A window into the broken soul of Bruce, battling long-term depression and the culmination of events leading up to the tipping point of his bottled up shame, guilt, and self-destruction.

Pontianak Harum Sundal Malam 2 is the sequel to the movie of the same title in 2004. The story continues after the "pontianak" (banshee/vampire) has avenged her death by eliminating her murderer (Marsani) and his entire bloodline. The story also explains her possesion of her own daughter and the end of her revenge. The story also sees Meriam coming to terms with her death before releasing her daughter from possesion and dealing with the obsession of her killer's son (Zali). Although the movie is still classified in the horror genre, this sequel delves more into sad emotions compared to the rage inflicted in the first movie.